A recognized leader focusing exclusively on security and surveillance consulting, design and operations for more than 30 years, M. Malia & Associates provides casino gaming customers across the globe with the ideal combination of proven experience and technological innovation.
This provides MMA with a unique perspective on customers’ projects, as well as their long-term security needs and objectives. More specifically, it enables MMA to deliver in-depth analysis of system design from the user’s standpoint, with pragmatic recommendations on how the latest technologies and techniques can fulfill their needs. The process creates close bonds between MMA and its clients while delivering systems that achieve the highest level of operation and functionality—on time and without exceeding established budget parameters.
MMA also prides itself on maintaining the most current technological capabilities available. This includes a full video conferencing suite at its U.S. office, the latest versions of design software, web-based project management systems and more. The practice of using the latest technologies to deploy the most advanced system solutions ensures that every client receives the highest-quality system design and administration services, as well as operational consulting, training and other mission-critical support services.
MMA works closely with engineering and management firms as well as project owners to provide consulting on surveillance, security and alarm and access control systems for the world’s biggest names in gaming, as well as myriad other business categories. High-profile gaming clients include Wynn Resorts, MGM, Seminole Hard Rock International and many others. In addition, MMA provides consultation services for hospitality, commercial, arena and government customers.
With close to 300 casino construction projects at more than 150 different properties to date, MMA has the industry’s greatest experience and capabilities to complete mission-critical gaming surveillance projects.
For more information, visit mmalia.com.
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Thinking Differently
Aleader in the national gaming and hospitality design industry, Hnedak Bobo Group has cemented its reputation as a preferred designer of dynamic casino resort destinations and is ranked as one of the top 15 hospitality design firms in the country.
Since its founding 35 years ago, HBG has developed a reputation for design innovation and a market-driven perspective that focuses on optimizing brand presence and operational efficiency to aid clients in differentiating in today’s increasingly competitive market. A five-time G2E Casino Design Award winner, HBG finds success by connecting its passion for the gaming, entertainment and leisure markets with its clients’ bottom-line performance. The 200-plus design and industry awards the firm has received are a testament to HBG’s dedication to responsive design solutions that drive competitive advantage.
HBG is known for “thinking differently” about design. The firm brings a unique perspective through its experience as developers and owners of hospitality and mixed-use developments. The firm is one of few architecture firms working in U.S. gaming and hospitality design to own, operate and develop its own four-star hotel: a highly successful Westin hotel located within a thriving entertainment district.
HBG is uniquely positioned as one of the largest providers of professional services in the Indian gaming industry. The firm was named National Indian Gaming Association’s Associate Member of the Year in 2012, with client relationships representing some of the most recognized tribal business enterprises across the country.
Recently completed Indian gaming projects include the addition of 1,000 hotel rooms and a 119,000-square-foot casino expansion at WinStar World Casino in Oklahoma for the Chickasaw Nation; and the new 64,000-square-foot Seneca Buffalo Creek Casino in New York for the Seneca Nation.
HBG recently broke ground on the highly anticipated West Valley Resort in Sells, Arizona for the Tohono O’odham Nation and is presently providing planning and design services to properties owned and operated by Ho-Chunk Gaming, an economic enterprise of the Ho-Chunk Nation of Wisconsin. Also breaking ground this year is HBG’s new 400-room hotel and conference facility located on the grounds of Elvis Presley’s Graceland in Memphis, Tennessee.
For more information, visit hbginc.com.
Naturally Captivating Amenities
Established in 1958 with corporate headquarters in Newport Beach, California, Lifescapes International, Inc. is an internationally renowned landscape architectural design firm. Having provided landscape design for more than 15 casino resorts on the Las Vegas Strip, as well as an additional 80 casinos and resorts across the United States, Asia and Europe, Lifescapes International continues to create successful, dynamic destinations around the world.
For more than five decades, Lifescapes International has been a significant design influence for gaming-related properties, including Native American, commercial and riverboat gaming properties, as well as destination resorts, mixed-use developments, retail centers and entertainment-driven projects.
Lifescapes International completed designs for one of the Las Vegas Strip’s newest casino resort additions with the opening of Encore Beach Club in 2012. Previously, the company designed the landscape environments for Encore as well as Wynn Las Vegas for Wynn Resorts.
Currently, Lifescapes International is working on Wynn Palace on the Cotai Strip, the Pechanga expansion in California and the soon-to-open Golden Nugget casino in Lake Charles, Louisiana. Other opportunities are pending in New York and Massachusetts.
Lifescapes International’s senior principal leadership team consists of Chief Executive Officer/FASLA Don Brinkerhoff, President/Chief Financial Officer Julie Brinkerhoff-Jacobs, Executive Vice President/General Manager Daniel Trust, Executive Senior Principal/Director of Design-Horticulture Roger Voettiner and Executive Senior Principal/Director of Design Andrew Kreft. They all work in unison to create and manage the firm’s projects, with assistance from a team of highly qualified landscape architects, project designers and a strong administrative staff.
“The entertainment and resort operators, including astute executives within the gaming industry, have realized for many years that stand-alone gaming activities are simply not enough to keep customers fully engaged on their properties,” Brinkerhoff-Jacobs says. “We are now working on nightclubs, pool bars, beach clubs, retail and restaurant environments so our gaming clients have other captivating amenities for their customers to enjoy during their stay.”
For more information, visit lifescapesintl.com.
A Million Ways to Dazzle
Most chairs are designed to fill a space. Gasser chairs are designed to elevate it. For more than 68 years, Gasser has been designing, building and perfecting the art of commercial seating, using only the highest-quality materials. The purchase of a Gasser chair is an investment in style, innovation and durability that will be a better value over the long run. Artfully designed, beautifully executed and built to endure, Gasser chairs don’t merely perform, they dazzle.
Artisanship that runs deep in the fabric.
The beauty of a Gasser chair is more than skin deep. Look closer to discover that it runs through the entire company. From design to construction to customer service, it’s a forte that’s been 68 years in the making, and runs deep in the fabric of the company.
A Flair for Design
More than just standing out, Gasser chairs are designed to stand up to virtually anything that can be thrown at them. Made from only the highest-quality materials and built to last, Gasser chairs retain their panache long after others have fallen from grace.
Custom Solutions
A casino’s rooms come in all different shapes, colors and sizes, and so do Gasser seating solutions. Gasser is not one to provide cookie-cutter solutions to complex challenges. As customers’ imaginations soar, Gasser can custom-design something specifically to their needs.
Innovations from Listening
Many companies market themselves as industry leaders; Gasser Chair is one of the few that can back up that claim. From the company’s earliest days, product development and improvement have been the constant challenges. And, not surprisingly, it was simply listening to customers that provided the opportunity for many of Gasser’s successful innovations.
Gasser Chair Company is a family-owned business based in Youngstown, Ohio. The second and third generations of the Gasser family, teamed with some of the most skilled people in all aspects of the business, are guided by the founders’ original principles. The company proudly continues the tradition and philosophy of developing innovative solutions to customers’ seating requirements and skillfully manufacturing the finest quality seating. All of Gasser Chair’s products are designed and manufactured in Ohio, and the majority of the materials used are purchased locally, reducing Gasser’s footprint on the environment.
For more information, visit gasserchair.com.
Beautiful Places, Balanced World
Cuningham Group Architecture Inc. exists to create beautiful places for a balanced world. Simple and eloquent, the statement embodies Cuningham Group’s passion for design and its impact on clients, communities and the world.
Founded in 1968, the full-service design firm provides architecture, interior design and planning services for a diverse mix of client and project types, with significant focus over the last 20-plus years on gaming and entertainment. Bolstered by a staff of 268 in Minneapolis, Los Angeles, Las Vegas, Biloxi, Denver, San Diego, Phoenix, Seoul and Beijing, Cuningham Group provides the resources necessary to explore new ways of solving clients’ problems with dynamic and innovative design solutions that add value and advance the art of entertainment design.
The firm’s world-class portfolio—covering the spectrum from small and delicate spaces to complex and expansive projects—includes casinos, hotels, theaters, convention centers, restaurants, retail venues, master plans and support facilities for gaming and resort destinations throughout the U.S. and around the world.
Cuningham Group consistently ranks among top firms and has been honored with more than 140 industry and market awards. Notably, the firm was ranked among the “Top 5 Entertainment Firms” by Engineering News Record in 2014. Such success can be attributed to visionary clients who understand the value of great design.
As leaders in gaming and entertainment design, Cuningham Group is on the cutting edge of imagining the “casinos of the future.” Gaming continues to move through uncharted territory as technology spreads its influence over social interactions and the games people play. Shifting demographics and the younger generation’s desire for experiences that are personal, mobile and social are the challenge—and ultimately, the opportunity—facing the future of games and the facilities that house them.
Backed by a client-centered, collaborative approach called “Every Building Tells a Story,” Cuningham Group challenges clients to embrace brick-and-mortar changes that reflect the evolving nature of gaming and its customer base.
Recent projects include the new 19-story hotel for Potawatomi Hotel & Casino in Milwaukee; the rebranding of Harrah’s Gulf Coast Casino in Biloxi; the renovation of John Ascuaga’s Nugget Casino in Sparks; and Harrah’s Cherokee Valley River Casino & Hotel in North Carolina opening in 2015. The firm also recently celebrated the groundbreaking of the $1.4 billion All Net Resort and Arena.
For more information, visit cuningham.com.
Unique and Functional
Welcome to the world of Cleo—unique and highly functional hospitality design.
Rather than simply reading how great the firm is, Cleo suggests that viewing the collection of images that represent the company’s work is more descriptive than any clever words. Please look them over at cleo-design.com.
However, if the written word is preferred, read on. Cleo’s strength is in the world of hospitality, producing welcoming and comfortable guest rooms and public spaces to involve and entertain guests—including fabulous bars, provocative lounges, inviting restaurants, cool spas and elaborate theater spaces. Cleo’s casino spaces are designed with the unique technical requirements of gaming environments. But the firm’s success lies in the ability to create an intriguing visual world, no matter the scale, that guarantees increased revenue and return visits.
Coast to coast, continent to continent, Cleo has instituted its vision across the U.S., Australia, China and India. In the U.S., current projects are ongoing in California, Florida, Kansas, Maryland and in Cleo’s own hometown, Las Vegas, Nevada.
Founders and designers Ann Fleming and Ken Kulas both were raised in Las Vegas and still live there. Where else could they begin to learn to create spectacular interior designs than in a Las Vegas grammar school?
Even with that beginning, Fleming and Kulas could not do it without the ton—literally more than 2,000 pounds—of staff who make Cleo strong and beautiful. Each individual brings specific passions and skills to the engine room, eager to see what is on, and over, the horizon.
For more information, visit cleo-design.com.
Destination Design Experts
Bergman Walls & Associates was founded in 1994 by Joel Bergman, who for the prior 16 years was the chief architect for Steve Wynn and responsible for the design of his projects including the world-famous Mirage in Las Vegas. Since then, the firm has been at the forefront of destination hospitality design, with a portfolio featuring hotels and resorts, mixed-use and high-rise residential, restaurants and entertainment venues of the highest caliber.
In 2011, Joel’s two sons, Leonard and George, also design architects, assumed the mantle of leadership of the firm and consequently embarked on key initiatives to bolster support for the company’s core competencies. Specifically, they invested heavily to reposition the firm, enhance and expand the architecture and interior design staff, improve infrastructure and technology and focus on innovation and the processes needed for elevating significantly the firm’s design product.
At the same time, BWA continues to apply its hospitality-specific knowledge of sustainability and eco-friendly design, together with special understanding of operations and the technical services associated with integrated resort planning.
BWA has completed highly successful projects across North America, including work with several Native American communities. North American offices include Las Vegas, Minneapolis and Seattle. In 2009 the firm expanded globally when it opened an office in Vietnam to serve Southeast Asia. More recently, BWA opened a Macau location to serve China and the region. All offices are staffed by a group of highly experienced and diverse professionals in an atmosphere of innovation and creativity.
While BWA is delighted with its progress to expand and increase its presence nationally and in Asia, more important is its understanding and sensitivity to the nuances of culture, language and geography, as well as brand and the expectations and wants of consumers.
For more information, visit bwaltd.com.
Tough Decisions
It has become commonly recognized by developers and restaurateurs that customers are seeking more than just great food when they sit down for a meal in a nice restaurant. They want an experience. What this exactly means is a question that has only recently become the subject of study by thought leaders within the hospitality industry.
As we examine the key components of a dining experience, design emerges again and again as a critically important piece of the puzzle. Executives refer to the importance of design within the context of congruency, the bridge between the story they want to tell and the brand identity they want to reinforce. Managers refer to design’s impact on staff efficiency and their ability to turn more tables each night. Customers, particularly within an integrated resort, will often shop the look of a restaurant before thinking about viewing a menu.
Increasingly, design is becoming credited as one of the most important, and least studied, attributes in why consumers choose one restaurant over another. From an increasingly visual universe of online and social media reviews, where consumers share commentary and imagery, a restaurant’s design is moving from background to foreground in its influence within the overall experiential palate.
Academic researchers are recognizing the importance of design, particularly in creating desired ambiances within fine dining restaurants. More and more, it is becoming accepted that physical environments create emotional responses in individuals, which in turn elicit a desire to further explore or completely avoid. This concept is further elaborated upon via the postulation of “servicescapes” that emphasize the critical importance of providing attractive environments for inducing customer satisfaction and loyalty over time.
Accordingly, a positive response to a “servicescape” is expected to result in positive beliefs and feelings toward the establishment, its people and its offerings.
Media covering the industry is also taking notice, as evidenced when Elite Traveler revealed its World’s Top 100 Restaurants of 2014. The list’s 16 new entrants, voted on by readers of the luxury lifestyle publication, lauded the association with a famous architect and designer as much as a posh location, exotic cuisine or celebrity chef affiliation.
Consumers feel more empowered than ever to evaluate what in the past may have been viewed as the unsung ingredients of a dining experience. Emboldened by a sense of expertise that popular television shows such as Chopped, Beat Bobby Flay and Restaurant Startup have given them, the general public has a raised antenna to every aspect of the restaurant experience today. Their expectations are high. And they’re not afraid to let the world know—through Yelp, Instagram and Twitter—when they have been disappointed.
Because of this, we must study consumers like never before and put our learnings to work at the onset of our development process.
Why Study Guest Psyche?
In the hospitality industry, deep thought about the psychological and emotional drivers of choice on consumer decision-making is quite rare. Hoteliers and restaurateurs have historically developed properties as much for their own egos as they have for a perceived, or hoped-for, demand.
With consumer spending in restaurants up dramatically and consistently over the past four decades, competition has also greatly increased. That reality has placed incredible pressure on developers to conceive new concepts, quickly, which will both differentiate and resonate with a fickle public. From the heights of economic prosperity to the depths of financial depression, the hospitality industry—as a whole—has been slow to embrace a researched approach to development.
In global destination markets like Las Vegas, a “build it and they will come” approach dominated the first two thirds of the town’s “cowboy-to-gangster-to-MBA” progression.
Perhaps another rationale for steering clear of a science-based path toward understanding behavior has to do with a longstanding misconception of what “research” is and how it should be applied toward understanding customer psyches. Justification for this internal bias may be that “market research” is viewed as a sign of executive weakness or that there is a fear of delaying tight schedules or derailing projects entirely if consumers don’t respond “the way we want” to our ideas, sketches and animations.
Steve Jobs: Research Foe?
Many executives around the world would nod their heads in agreement if they happened to come across the Steve Jobs quote, “Customers don’t know what they want until we’ve shown them,” or a quote Jobs apparently liked from Henry Ford, “If I’d asked customers what they wanted, they would have told me, ‘a faster horse!’”
Jobs is absolutely correct in his statement, as is Ford; but neither makes a convincing case for not conducting market research. Rather, both highlight the misperception many have as to what consumer research is—namely, asking people directly what they want.
To actually understand what consumers want is an egoless exercise in immersion, venturing as deep as possible into what it’s like to be them—at home, at work and at play.
This approach, done correctly, yields valuable insights that misguided methodologies would have missed or, at best, misconstrued. These insights, in turn, spark actionable ideas—in the minds of artists and executives—that are rooted in something viable.
Within this capacity, Jobs was an exceptional “researcher” of human behavior. In this context, his brilliance was that he understood, before the opportunity developed, that everyday people wanted to use computers, yet the frustration in their complexity was an overwhelming barrier for the non-technically inclined. His focus on a “lite” version of a computer, that was simple and stylish, was a direct result of insights gleaned from observing consumer experiences with what was in the marketplace.
No one could have told Jobs to make an iPod, iPhone or an iPad either—but by stepping into his customer’s shoes and understanding their emotional and psychological desires, Jobs was able to anticipate mass-market trends, because they were rooted in behavior he could validate with not only his deep imagination but also with his sharp eyes and ears.
The link is not only ironic, it is also perceptible. Court records from a recent lawsuit between Apple and Samsung have resulted in much previously confidential information becoming public record. Among the findings: Apple’s investment in market research and its vast user experience teams are likely unparalleled. Jobs didn’t waste time asking consumers directly: “What do you want us to make?” But you can be sure Apple is obsessed with understanding human behavior and that the company uses consumer insights to help drive innovation.
Embracing Consumer Insights
For the restaurant industry, there has never been greater potential. Economic prosperity and discretionary spending have largely recovered from 2008-2009 recession levels. According to the National Restaurant Association, A
mericans today make nearly half of their food purchases away from home. In 1955 it was 25 percent. In the United States, restaurant sales are expected to reach $683 billion in 2014, a $100 billion increase from just four years ago.
The pressure to increase operational efficiencies and turn as many tables per day as possible, without sacrificing customer service, also puts the spotlight on design as a critically important component for a restaurant’s success. As such, understanding the psyche of a hospitality patron has never been more critically important for a business owner.
Loving the Lobby
Harrah’s Resort Atlantic City sought to modify some of its nightlife attractions and offer guests a more subdued option to its high-energy nightclubs. SOSH Architects, the Atlantic City-based architecture and interior design firm, was brought in to create a new lounge and lobby bar adjacent to Harrah’s guest check-in and VIP registration areas.
“SOSH was tasked to create a traditional whiskey bar with a twist of the unexpected, to capitalize on the synergy of this location and to help welcome guests while they check into the property,” says Michael Mangini, the firm’s director of interior design. “This location is the epicenter of everything that is about to happen with the guest experience.”
The high-profile lobby bar seats 12 with an additional 2,000 square feet of lounge area. It opened in November. The team created a traditional space with library-like detailing, while incorporating a modern twist in lighting and artwork. The overall space creates a relaxing, comfortable environment, while incorporating impact pieces designed to spark conversation between patrons.
Some of the highlights?
“Interior detailing using library-like millwork throughout while incorporating a modern approach to lighting 500 bottles of rare and unique whiskeys from around the world,” says Mangini.
“The whiskey is both front-lit and back-illuminated to create an atmosphere of intimacy utilizing acrylic ghosted panels behind the liquor bottles. This juxtaposition is again interpreted using traditional furnishing but upholstered in an unconventional way.
“Some of the artwork subject matter uses x-ray images of common architectural and personal objects to help emphasize that they are familiar and yet unique and unexpected. It is seeing something common, but in a new light to spark conversation and dialogue.”
Other features include 40 faux tortoise shells of various shapes and sizes adorning the walls, and velvet drapery surrounding traditional millwork detailing of the walls.
“A few key elements were custom-designed to help relate both to the traditional architectural detailing and also the modern era in a post-industrial manner,” Mangini says.
“The use of custom copper metal panels riveted to the bar die wall and a custom-designed black iron foot rest that was inspired from a single railway track is raised and bolted to the Baltic gray marble floor tile, which is laid in a herringbone pattern.
“A solid four-inch-thick Peruvian walnut bar top was designed to evoke the warm feeling of a whiskey bar from long ago. Some of the more contemporary detailing was used, such as a modern approach to display the amber alcohol of the bottles. There are three custom-designed glass display boxes suspended overhead at the entrance into the bar.
“This design element celebrates the whiskey bar by proudly displaying its offerings and also acts as a casino identifier inviting the visitor into the space.”
Align the Cherries
You’re all in. You’re invested heavily. And you’re committed to working it everyday. Now elevate your restaurant and bring guests back more often. To achieve that goal, begin with the end in mind and create special experiences that people love.
Each restaurant should be another reason why guests come back. Pull the right levers and pull away from your the competition… with one critical caveat. Just like hitting a progressive jackpot, you need complete payline alignment. One cherry on the wrong row is like having a zero multiplier in the equation, and you get nothing.
For example, a beautifully designed space with great food, but with a messy bathroom, may just kill all that work and disrupt the entire formula for success. Below are three key focus areas to design and line up. Done right, you’ll create a lollapalooza with fantastic emergent effects.
Optimal Design
You’ve got a great space, solid marketing and a unique product offering. Guests are lined up out the door. But can you deliver in a way that delights your customers 100 percent of the time?
You’ve done so many things right. Now it’s about operational excellence and throughput focus. Visit Earl of Sandwich at Planet Hollywood Resort & Casino. I know this one pretty well. It’s a machine. Running 24 hours. Service and ticket times are critical to handle those ever-growing long lines of hungry guests.
Now you’ve got to be continuously assessing. Can your equipment handle the long lines? Are there contingency plans in place? Is your design and flow smart and getting smarter to handle the increasing demand? Can your employees not only handle but also continually improve? Think like a manufacturer. Look for the bottleneck and figure out how to relieve the pressure points.
Superstar Service
When was the last time you felt fantastic? Now, close your eyes and imagine being at Spago. You’ve just been greeted wonderfully and gracefully served the most delicious food.
Then, from the kitchen, the chef comes out. It’s Wolfgang Puck himself. He comes to your table and with a smile introduces himself. To you! Now open your eyes. And make reservations at one of his restaurants.
This well-orchestrated team effort happens regularly. It’s an experience to cherish and talk about. Having the right concept is important. But having superstar service is the equivalent of having an expert driver for a Ferrari. If you get the service and culture right you’re going to win. And sales can double in the same concept and space. As leaders, it’s our job to unite the team and drive morale. The best way to do that? Take good care of your employees, and in turn they’ll take good care of your guests. The best server is a happy, stable one. Treat your employees better than your competition. People who feel great about themselves and where they work are happy. They’re energized, and excited to serve others.
A team of thoughtful and committed people can accomplish remarkable results. Now it’s your job to design a system to create that. You’ve already taken on all the risk and made all the capital investment in the space. Now ignite it with a team of highly motivated A-players.
Word of Mouth
Great space. Great food. Great service. Check, check, check. Now it is about making a name for yourself through advertising. But not through expensive billboards or magazine ads. The best form of advertising is word of mouth, and it’s free.
Let’s take an off-the-Strip example to really highlight this point. Skinny Fats restaurant, located in a warehouse area, took over a failed generic cafeteria restaurant. The menu is delicious, comprised of both healthy and more decadent offerings. The design is very gritty and authentic. In fact, the walls are covered with two-by-fours that the owner and his team cut themselves. Guests really seem to love the food and experience. And they love talking to others about how much they crave the food—so much so that Skinny Fats was selected to handle food and beverage for the 2014 Electric Daisy Carnival in Las Vegas. Exposure to over 100,000 people!
Can you imagine the word of mouth required to be selected for the event, and all the social media and shared stories after EDC? The answer can be found at their new second location, which opened to long lines before the sign was even installed.
They have turned their leads into gold through great service, an authentic approach and diehard fans spreading the word. You can too. Look at the poor-performing sectors in your casino with fresh eyes. What Would Skinny Fats Do? Do it right and give your customers another reason to visit and tell their friends.
By focusing on optimal service, superstar service and word of mouth, you may just find yourself with the makings of a landmark. Now it is your turn to line up the cherries and win big.
Saved from Saturation
When you say “saturation” to someone in the design and construction industry, they’re more likely to worry about leaking water pipes, or maybe vivid colors on the walls of a room. But when you say “saturation” to a gaming executive, they’ll go pale, start to stutter and wonder what happened to their customers.
Because in the gaming industry, saturation is when the product supply of gaming is exceeding the demand. We’re seeing that in several jurisdictions.
The poster child right now for saturation is Atlantic City. Since the beginning of 2014—as of this writing late in the year, anyway—five casinos have closed, with a loss of more than 10,000 jobs, millions in tax revenue for the state, and a reduction in choices for visitors.
What happened? Competition, for the most part. When casinos opened in Pennsylvania, one of Atlantic City’s principal markets, in 2004, Boardwalk gaming executives weren’t terribly worried. After all, in the late 1990s, Delaware introduced gaming at the state’s racetracks, and it barely dented the Atlantic City market. And with a gaming tax in Pennsylvania exceeding 50 percent, how could they compete with what AC gives away? What, me worry?
Well, they should have worried, and began to worry when they realized Pennsylvania allowed its casinos to write off marketing expenses before reporting revenues, so they could almost match AC offers. So why would a casual player drive the hour or two to get to AC when they can get to a closer casino in less than half an hour? They didn’t, and the slide of Atlantic City began.
To their credit, Atlantic City officials realized 10 years ago that there needs to be more non-gaming attractions, but as gaming revenue slumped, so did the funds available to develop those attractions.
And the casinos in Pennsylvania, the beneficiaries of Atlantic City losses, soared for a few years, but have now leveled off. And with talk of a second casino in Philadelphia (in addition to two in the Philly suburbs), there is a very real possibility that gaming revenues could start tumbling there.
And what about Foxwoods and Mohegan Sun? Yes, the economic collapse in 2008 hit those Connecticut casinos hard, but their business has not rebounded and there isn’t much in the way of new competition over the last few years. So they’ve ramped up their non-gaming attractions to new levels.
So as designers, how can you help owners battle the saturation issue?
The answer is, of course, to create properties that are “must-see” attractions for gamblers and non-gamblers alike. The owner must have a vision of how gaming can support such things as entertainment, meeting and convention space, retail, restaurants and other hospitality options. As designers, you have to deliver on the promise that your creation will produce a buzz and excitement that will transcend gaming and attract a wide range of visitors.
Casino Design magazine is packed with such suggestions: how to create something out of nothing; why nightclubs can be a game-changer; what tribal gaming operations can do to diversify revenue streams; why boutique hotels can be a powerful product…
Each year, Casino Design is a labor of love for us and for all the participants. The passion behind their comments and the power behind their words is evident with just a quick read, but I’m sure you’ll want to drill down and discover the secrets that our experts are revealing.
This year’s Casino Design is saturated with information and great ideas. And that’s a saturation we can live with!
Signature Style
Station Casinos, which manages the operations at the Graton Resort & Casino in Rohnert Park, California, has a signature design style for its upscale casinos in Las Vegas, using the natural elements of the surrounding environment. Red Rock Casino Resort reflects the rich earth tones and beauty of the nearby Red Rock State Park, and Green Valley Ranch on the east side of town has the suburban serenity and neighborhood welcoming atmosphere.
The Friedmutter Group of Las Vegas is the “go to” designer for Station, and was responsible for the natural incorporation of Graton into the nearby Sonoma wine country.
While there are many tribal casinos in California, there are none closer to the Bay Area, just 50 miles from the Golden Gate Bridge. With this location and easy access off the freeway, Graton has been successful since the start. But it’s been the design that has pleased the crowds. The design was a result of a unique collaboration among Station Casinos, the Friedmutter Group and the Federated Indians of Graton Rancheria, particularly its visionary chairman Greg Sarris.
The team decided to incorporate a “California casual elegance” theme, which included the resort’s natural surroundings. The exterior lines of Graton Casino Resort emulate the famous landscape and give the impression of the gentle foothills in the distance. The natural materials of the façade, including stone, aged dark woods and copper panels, are complemented with vertical gardens in living green walls, together creating a linear hillside.
Waterfalls that may appear through the hills are imagined in the water features framing the porte cochere, adding further depth and integration of nature. Hill formations frame the entries, creating a natural pathway into the property. The surrounding environment is well-represented with generous use of indigenous color and materials. California varietal flowers abound within stone and greenery, and, along with Sonoma’s beautiful scenery, provide bountiful inspiration, as Graton Casino Resort becomes a natural addition to the landscape.
The design includes warm modern lines, and vivid striking colors throughout the welcoming space, setting the tone and atmosphere of sophistication found throughout the Northern California region. The natural elements of the surrounding Sonoma County were the inspiration for the flowing ceiling elements (reminiscent of the rolling hills of wine country), and flowers in the carpet and terrazzo flooring were inspired by the many colorful floral varietals and botanicals found in the area.
Although the resort currently lacks a hotel, it makes up for it in non-gaming amenities like spectacular restaurants, including such Bay Area favorites as Tony’s of North Beach and Martin Yan’s M.Y. Noodles. The Marketplace includes eight eclectic choices from burgers to barbecue to pizza and ice cream. Three bars and lounges and an event center round out the offerings.
The gaming is, of course, the centerpiece of the property, with 131 table games and more than 3,000 slot machines scattered over more than 300,000 square feet.
Owner: The Federated Indians of Graton Rancheria
Operator: Station Casinos
Architect: The Friedmutter Group
Investment: $820 million
Rockin’ Out
As Hard Rock’s 2012 Project Development Partner of the Year, SOSH Architects, in partnership with Richard L. Bowen and Associates, was chosen to design the entertainment company’s gaming property to be branded as the first-ever “rocksino.”
The 155,000-square-foot stand-alone facility was built adjacent to racetrack Northfield Park’s grandstand to expand guests’ entertainment options. Northfield Park offers more than 200 live harness racing dates every year.
Venues within the all-new Rocksino include a gaming floor boasting 2,300 slot machines, a 2,000-seat live music arena, a 200-seat buffet, steakhouse, bistro, promotions, bus and travel lounge and two player’s clubs. To convey Hard Rock’s rocksino image, SOSH incorporated timeless yet contemporary design elements for a Hard Rock Cafe and casino center bar, a high-limit slot room, and multiple outdoor gaming rooms and smoking areas.
The design of Hard Rock Rocksino is unique because the casino is located in the center with clear circulation around the perimeter, showcasing wall space for Hard Rock’s famous memorabilia as well as the restaurant, dining and entertainment areas.
Unique features of the property include articulating TVs and memorabilia cases that raise out of sight to provide a direct view of the Hard Rock stage during a band performance. Seven color-changing LED light fixtures created from millions of hand-applied crystal elements are programmed to lead the visitor from the entry to the Hard Rock Cafe. Black walnut live-edge wood planks hang overhead, welcoming visitors to Bernie Kosar’s Wood-Fired Grill.
True to Cleveland’s musical history as a birthplace of rock ‘n’ roll, the Rocksino offers the legendary vibe of the Hard Rock brand, including more than 2,200 gaming devices, varied dining options and live music events. The Hard Rock Live music venue, the fifth of its kind, hosts sell-out crowds of more than 2,000 guests for live entertainment by renowned musicians, in addition to hosting guests for a variety of functions and banquets.
In addition, the Rocksino has a 300-seat live venue, The Club, featuring comedians and illusion acts that are also readily available for private parties and events.
The supporting areas use a color palette of rich neutral tones with accents of reds, ambers and merlots. Principal materials used include masonry, glass and metal panels on the exterior, and stacked reclaimed wood paneling, Nathan Allen art glass, Shimmer Screen metal beaded curtains, natural stone flooring and countertops, and custom-design wall covering in the interiors.
Owner: Brock Milstein (operated by Hard Rock International)
General Contractor: Gilbane Building Company and Adam Building Company
Interior/Design Architect: SOSH Architects
Architect of Record: Richard L. Bowen and Associates
Investment: $200 million
LINQed In
The quest for non-gaming attractions in Las Vegas took a dramatic turn earlier this year with the opening of the Linq, a shopping and dining district nestled among several Caesars Entertainment hotels on the east side of the Strip capped off by the High Roller, the largest observation wheel in the world.
The Caesars Entertainment properties on the east side of the Strip—Harrah’s, Imperial Palace, Flamingo and Bill’s Gamblin’ Hall—were slated at one time for demolition, to be replaced by a CityCenter-like multi-use development. But when the recession hit Las Vegas hard, Caesars went back to the drawing board. The company wanted to attract more visitors to that side of the Strip, where 11 million pass by on an annual basis.
The decision to create the world’s largest observation wheel was a no-brainer, considering the success of such wheels in London, Singapore and elsewhere. The location was the only question, and when it was determined that the wheel would work best behind the existing hotels, a “link” to the Strip was needed and the “Linq” was born. To be built in an alleyway between the Imperial Palace and the Flamingo, the Linq was envisioned as an entertainment/shopping/dining center that would bring vitality and life to a previously dead area.
Meanwhile, the Imperial Palace was renovated and renamed the Quad, which was again changed to the Linq in October. The Flamingo was updated and renovated so that today, the shops and restaurants of the Linq serve the hotels on that side of the street. Also, the Cromwell replaced Bill’s Gamblin’ Hall, and is now viewed as a boutique hotel serving upper-end Caesars customers. The Cromwell also hosts Drai’s, the latest update of the original Las Vegas nightclub experience, on the roof of the property with a dramatic view of the Strip.
Jon Gray, the original general manager of the Linq, explains how this works:
“We were under-indexed in the Flamingo, the Quad (now the Linq hotel) and Cromwell in restaurants per room,” he says. “That was another reason we did the Linq. We were a great exporter to non-Caesars restaurants. But now with the Linq, it will satisfy that desire for more dining options.”
Entertainment was also a prime concern, and the addition of Brooklyn Bowl, a bowling alley/restaurant/bar, brings some top acts to the Linq. All of the shops, restaurants and hotels are joined together by Caesars’ state-of-the-art loyalty program.
“Total Rewards is totally integrated,” says Gray. “We’ve already been booking room packages with tickets to the High Roller and Brooklyn Bowl as part of the attraction. And this isn’t limited to Vegas. Our out-of-market properties are also fully invested in this effort. They’re very excited about using the wheel and the Linq to drive business to them.”
The Linq spans more than 300,000 square feet, and features more than 30 retail, dining, nightlife and entertainment venues (70 percent restaurants and bars, 30 percent retail and entertainment).
Architect of Record:
Design Architect: David Schwarz, David M. Schwarz Architects
Vortex Design Architect: Branislav Hetzel, Hetzel Design
Designer: The Hettema Group
General Contractor: W. A. Richardson Builders
Retail Advisor: Rick J. Caruso, Founder and CEO, Caruso Affiliated
Investment: $350 million
Hometown Racino
Take a pre-engineered metal building and bring the whole project to completion in a third of the budgeted time and half the cost—that’s a cause for celebration. But the Miami Valley Gaming Racetrack & Casino, developed on 130 acres in Lebanon, Ohio, while located in a simple square building, gives off vibes of something rich and exciting, but also comfortable, so that people are starting to identify it as their “hometown” casino.
The racino, owned by Delaware North Companies and Churchill Downs Inc., opened in December 2013. It offers harness racing with 1,600 video lottery terminals (VLTs) and no tables, with room for up to 2,800 VLTs. It is one of seven racinos in Ohio.
“The exciting thing about this project is that from approval to design to development took 13 months,” says Nick Schoenfeldt, vice president, principal and senior project manager for Thalden Boyd Emery Architects. “We built on a very tight budget and brought it in $6 million under budget.”
It is a simple building—a large square with appendages—but a lot has been done with it. Guests arrive in a grand lobby with split-face marble on the walls. Cars can be brought directly into the lobby for giveaways or display. Patrons are immediately immersed in an environment of richness. “Everything that people touch is real: marble, real stone, wood, and reclaimed barn wood in some of the restaurants,” Schoenfeldt says. “It’s become the place that people identify as their hometown casino.
“It wasn’t under-designed or over-designed,” he says. “People feel comfortable with it. It has the right mix of pattern and color and it feels cohesive.”
The interior and exterior lighting for this large atrium is provided by programmable color changing LEDs. This provides a lot of variation in the lighting and a lot of touch points. It brings the building to life at night. Video boards along walkways leading to the entrance inform guests what is going on inside.
The floor layout is very simple, creating a restaurant-row effect for the fine dining area, buffet area, sports bar, casual dining area and coffee bar. The gaming floor in the shape of an L allows for expansion.
Although many casinos are trending away from catering to smokers, the Miami was designed with an outdoor smoking area served by lottery terminals.
It came in under budget and way ahead of schedule because everybody worked from the same page. “All three of us, including the construction manager, worked with the goal of getting the property open,” says Schoenfeldt. “It was a synthesis of all of the groups. It was integrated project delivery without the contractual operations. We were all on the same page from the first moment.
“Bill Farish, chairman of Churchill Downs, has said, ‘Wow, this is our finest facility!’ That’s something we love to hear.”
Boiling Over
Celebrity Chef Rick Moonen made a huge splash in Las Vegas when he opened rm seafood in 2005, the rare seafood restaurant in Las Vegas that actually delivered fresh and sustainable fish and crustaceans. He has now created his Rx Boiler Room on the top floor of his existing rm seafood restaurant at Mandalay Bay in Las Vegas.
This new restaurant is the chef’s “playhouse,” allowing guests to indulge in the chef’s alter ego. The interior celebrates the sub-genre associated with science fiction and inspired by industrialized Western civilization of the 19th century affectionately known as steampunk. From industrial hardware to swooping velveteen fabrics, the steampunk-inspired elements surrounding the dining experience evoke Moonen’s creative process of playful pairing, inventive illustration and culinary mixing.
The bar dazzles with its high energy amid a haphazard collection of tools and artifacts. It is a stage with mixologists performing their “magic.” Imagine Jules Verne using scrap materials to create wondrous machines of an imaginary future, and you’ll have an idea of what Moonen was dreaming when he conceived this concept.
The expert mixologists “perform” with a variety of appliances and unexpected materials, such as blocks of ice, to keep everyone guessing as to the next cocktail produced. The innovative operations take surgical skills to produce libations like none other.
Of course, the food is the star of the show, as Moonen puts a new take on “comfort food” served on large and small plates. Perfect for sharing, some of the menu items include brioche toast with tomato jam with bacon wrapped around a sunny-side-up quail egg, braised oxtail croquettes with a lemon aioli, a Greek-style lamb osso bucco, and a very playful calamari and meatballs in squid ink tomato sauce, all served in both the playfully lush dining rooms and at the interactively intimate bar.
Interior Designer: Cleo Design
Architect: Moser Architecture Studio
Design Director: Roni Fields Design
Contractor: Tré Builders
Harbor Master
The Seneca Buffalo Creek Casino in Buffalo, New York completed its final phase in August, a keystone in revitalizing Buffalo’s Inner Harbor area. Reviving this underused industrial property was a special interest for the Seneca Nation, which has historical ties to this land.
Paul Bell, project manager, and Nathan Peak, lead designer for Hnedak Bobo Group, say a critical design factor is that the casino is two blocks from Niagara Center, home of the NHL’s Buffalo Sabres.
“We did master-plan studies with how it would work with that planned downtown district area,” Bell says. “Rather than enclosing it as an island, we wanted many access points to other businesses. Plugging into what was already there and what was already happening was pretty exciting.” They oriented the casino’s size, gaming, food and beverage to attract from the surrounding community and fuel Inner Harbor’s redevelopment.
The Seneca Nation wanted to create a world-class gaming destination to capture Buffalo’s regional gaming market. But that was only part of it.
“The corner of the building we dedicated to a park, where there is a small hill,” says Bell. “We carved through the middle of that hill, and set aside a quarter of the site to a park. We wanted to make the core large enough to accommodate art festivals and other multi-faceted events. There was a lot of commitment from the Seneca Nation to invest in a public-space area.”
“That created design challenges,” adds Peak. “We had a fixed site, and one block of downtown parking was not sufficient, so we had to have a parking garage (four levels with 725 spaces). We balanced that with the open space. It added a lot of breadth and decompression.”
The 64,000-square-foot, $130 million Buffalo Creek Casino has 808 slots, 18 table games, a high-limit slots area, the 24-seat BC Café, the 120-seat Buffalo Savors restaurant and the 50-seat Stixx Sports Bar, set in the center of the casino floor. A hockey theme dominates with a 360-degree sculpture of Baltic Birch plywood sticks representing abstract hockey sticks. Mirrors behind the bar are backlit to suggest ice. A lacrosse netting pattern is woven into the carpeting.
The project originated in 2008 on a much larger scale with an existing steel frame. “We designed the building reusing 90 percent of that steel,” says Bell. “That was a huge savings to the owner and a sustainable design approach. That should be of interest to anyone who has a similar situation.”
Working closely with the tribe, the team abstracted tribal elements and integrated them into the design. “We abstracted a single feather into a pylon,” says Peak. “The interstate is elevated, so passing motorists look down on the casino. That was a very important design element. The pylon is illuminated 70 feet tall from the base.”
Smaller pylons, one for each of the nation’s clans, light the Seneca Walk leading to the entrance. The casino’s interior design represents cultural elements, with a “Tree of Peace” drawing the eye to the center of the gaming floor.
Owner: The Seneca Nation
Architect: Hnedak Bobo Group
Contractor: Seneca Construction Management Corporation
Investment: $130 million
Castle in Spain
Many contemporary office buildings look like monuments to conformity. In ages past, however, especially in the world’s great cities, architects built offices that were downright palatial.
Take the Academy of Commercial and Industrial Unions on Madrid’s Gran Via. Built in 1924, it has all the hallmarks of the neoclassical style: towering Greco-Roman columns, a dramatic domed roof, a marble grand staircase, and according to a history of the structure, “a succession of arches reminiscent of the Monterrey Palace in Salamanca.”
By the turn of the new millennium, the landmark building—by then an employment office—had seen better days. Thanks to a painstaking renovation, it’s enjoying new life as the Casino Gran Via. The resort is operated by the Comar Group, which owns 36 casinos and gaming halls around the world, including 10 in Spain.
It took a lot of work. “The building was run down, but we fell in love with it,” says Aleksey Belinskiy, studio leader at the Amsterdam office of Steelman Partners, architects for the project. “The attention to detail and the amount of craftsmanship that went into these buildings are just incredible.”
That includes a center atrium that soars up to a stained glass skylight. The skylight solved a problem for the architects, says Belinskiy: “Urban casinos are challenging to build, because they often end up on two to three levels. It’s hard to move people up and down, so the visual connection between various levels is critical.”
The skylight, by Parisian glassmaker Maumejean and original to the building, instantly draws the eye upward. And it’s especially striking at night. “We backlit it and frontlit it with a special LED mesh that creates almost an interactive video effect,” says Belinskiy. “It’s spectacular.”
Throughout the renovation, many elements of the 90-year-old building had to be brought up to code or otherwise restored. “The existing concrete slab would not support the required load, and most of the floors had to be restructured. Because of all the systems that go inside the ceiling cavities, it was pretty challenging to keep the ceilings high and also maintain some of the design elements we wanted. Much of the decorative trim and molding had to be replaced. It was really hands-on site administration.”
The work has paid off. The former municipal office building, set along one of Europe’s most famous thoroughfares, has become a world-class entertainment center “in the style of the grand palaces of Russia and Paris,” says Belinskiy.
The street level features a café, reception area, game room with 65 slot machines, and a cocktail bar and lounge. The mezzanine includes a baccarat room with an Asian motif; gaming tables with American roulette, blackjack and poker; a traditional Basque restaurant operated by Chef Jesús Santos; and a gourmet Champagnería.
On the third floor is the opulent ballroom, now a gaming floor lit by eight-foot chandeliers.
“It’s one of the most beautiful spaces in Europe,” says Belinskiy. “When we first walked into that room, I realized we had this absolute jewel in the middle of Gran Via, and nobody knew about it. We were excited to see it restored, not just for business reasons but from an architectural point of view. It felt right that we had a chance to give this building a new, re-energized look.”
Comar Group Director General Javier García says Casino Gran Via, which opened in December 2013, was built “with the aim of contributing to the revitalization of leisure and tourism in Madrid. The iconic building, the team of excellent professionals, the facilities and the exclusive design make the Casino Gran Via a leisure experience of reference in Europe.”
The old office building “was a great find,” says Belinskiy. “And it really is breathtaking.”
Owner: Comar Group
Project Design: Steelman Partners Europe
Area: 14,800 square feet
Investment: $18.8 million
Heart of Glass
If necessity is the mother of invention, the people behind Hard Rock International’s new Platinum Tower, on the Gulf Coast of Biloxi, Mississippi, are the Edisons of architecture.
The resort started with a good problem: more demand for rooms than it could consistently handle. But the only land available for expansion was a narrow tract hugging the waterfront adjacent to the original Royal Hotel.
The design team turned that limitation into an asset with its innovative “svelte tower” approach. The $32 million, 12-story hotel, which opened in February, follows the curve of the coastline, frames the palm-fringed outdoor pool, and stands as a testament to the region’s recovery since Hurricane Katrina, when Mississippi’s former riverboat casinos first moved ashore.
The building’s horizontal banding complements that of the existing tower, and silver glazing inspired the “Platinum” brand.
The sleek design continues inside. The curvilinear guest rooms are contemporary but uber-comfy, with lighted zebra-wood wardrobes, built-in seating, plush wall-to-wall headboards, double vanities, custom furnishings and art, and contemporary accent lighting. Suites are outfitted with personal wet bars, and make abundant use of millwork on the walls and ceilings.
The room layouts turn tradition on its ear. “Because we had a very narrow site to work with, we rotated the rooms 90 degrees, so the longer dimensions are along the outside walls,” says Brad Schulz, vice president of architectural firm Bergman Walls & Associates of Las Vegas. “It’s one of the first times this has been done in the United States. It’s a very popular look, and it’s been well-received by the public.”
That skewed orientation continues in the baths. Dispensing with the box-within-a-box design that is typical of most hotel bathrooms, Bergman Walls pushed the baths to the outside walls. As a result, natural light floods in through banks of windows. “They have a provocative aspect to them,” observes Schulz. “If you don’t put the drapes or blinds down, it could get kind of interesting. But it’s sexy, and people are having fun with it.”
The baths are richly appointed; many have oversized showers and marble Australian soaking tubs fitted with multi-head rain-shower faucets.
Thanks to floor-to-ceiling windows, the 140 guest rooms, first-floor Cabana Suites and penthouse-level Sky Suites are akin to glass houses, with panoramic views of the city, the Gulf, and that iconic, neon-lit Hard Rock guitar.
The style, like the brand, is playful, irreverent and hip. And of course, the resort is packed to the rafters with music memorabilia from superstar rockers: Gene Simmons, Buddy Guy, Sammy Hagar, Bret Michaels, Johnny Cash and many others.
Lucky guests can even get a glimpse of Elvis Presley’s pajamas, proving this place is really fit for a king.
Owner: Premier Entertainment Biloxi, LLC
Architect: Bergman Walls & Associates
Interior Designer: Tandem Interior Design Studio
Contractor: Roy Anderson Corp.
Total Investment: $32 million
Sweet Dreams
The Philippine gaming market has been attracting much attention over the past year. With the opening of the Solaire in Manila’s “Entertainment City,” a four-resort complex on the shores of Manila Bay owned by PAGCOR, the Philippine casino operator/regulator, anticipation is building for the remaining three properties.
At the end of 2014, City of Dreams Manila is slated to open, operated by Melco Crown, which also owns the Macau casino resort of the same name. Like its Macau cousin, CoD Manila will host multiple hotels and other non-gaming amenities.
Included in Manila, as in Macau, will be a Crown Tower and a Hyatt. But CoD Manila also will feature the first Nobu Hotel in Asia. The partnership between Melco Crown and Nobu Hospitality includes the internationally renowned chef, Nobu Matsuhisa, actor Robert DeNiro and Hollywood producer Meir Teper. The hotel will include a Nobu restaurant and offer a fusion of laid-back luxury, high-energy nightlife and exclusive guest room retreats and spa services.
Melco Crown has also struck a deal with the “King of Clubs,” Michael Van Cleef Ault, who will bring his nightclub brands Pangaea and Chaos to the CoD Manila. Both brands are known for hosting “A-List” celebrities and will transform Manila into a true nightclub haven in Asia.
Another first for CoD Manila will be the only DreamWorks “edutainment center,” a collaboration with DreamWorks Animation. An integrated space of live and digital play spaces, the center will stress learning through play.
“DreamPlay by DreamWorks” is a revolutionary approach to family entertainment. Each experience is designed exclusively for City of Dreams Manila by the artistic and creative forces of DreamWorks Animation and iP2 Entertainment to combine the best elements of the DreamWorks library with the hands-on activities of an education-inspired play center to create a truly one-of-a-kind family adventure. Children will interact with characters from DreamWorks Animation’s franchises including Kung Fu Panda, Shrek, Madagascar and How to Train Your Dragon.
The debut of City of Dreams Manila demonstrates how the Philippine market is growing. In addition to two more resorts scheduled to open at Entertainment City (Kazuo Okada’s Tiger Entertainment and a second Philippine resort owned by Genting/Travellers), Caesars Entertainment has proposed a $1 billion resort adjacent to Manila’s Ninoy Aquino International Airport.
Owner: Belle Corp. Leisure and Resorts World Corp., and Melco Crown
Architect of Record: ASYA Design Partners
Contractor: Leighton Contractors (Philippines) Inc..
Investment: $1.3 billion