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The Last and Greatest Mega Resort?

Today, CityCenter’s a reality: 66 acres of concrete, glass and steel in the heart of the Las Vegas Strip.

CityCenter had its roots in MGM Resorts International’s 2004 acquisition of the Mandalay Resort Group (the deal closed in 2005). The deal gave MGM Resorts an incredible swath of land between the Bellagio and Monte Carlo, land on which it could build a signature project that would redefine the company. From the start, MGM Resorts brass were clear that Project CityCenter—the development’s working name—would be something different.

At the November 9, 2004 press conference that unveiled the concept, then-CEO Terry Lanni said the CityCenter master plan represented “a significant new direction for our city and our company,” adding that it came at a time when the city was taking “the initial steps to becoming a major urban center in the western United States.”

At that press conference, MGM Resorts unveiled an idea more than a commodity. Only a few things were certain: Project CityCenter would be built on land between the Bellagio and Monte Carlo which the company had recently consolidated with its acquisition of Mandalay Resort Group. It would feature a 4,000-room casino resort, three smaller boutique hotel, and 1,650 condominium residences that would give the area a 24-hour, “city-like” ambience. The centerpiece was to have been an open-air shopping district—definitely not a mall—whose streets allowed both pedestrian and vehicular traffic.

In an interview with the Wall Street Journal, then-president and CFO Jim Murren said that the shopping would be a “SoHo-type” experience, a reference to the area of Manhattan south of Houston Street in which high-end boutiques and chain stores have generally pushed out artists’ lofts. Some within the company called it “SoBella,” for “south of Bellagio.”

“We’re creating our own urban environment,” he said, raising expectations that Project CityCenter would be very different from previous developments.

“It’ll be a city in and of itself here,” he said later. “Our economic responsibility is to make money for our shareholders and for our employees. Our social responsibility is to provide a greater array of cultural, educational and residential opportunities for our community. That’s the genesis of CityCenter.”

This wasn’t to be a typical Strip resort development at all, in fact, but an “urban village” that would stretch from the Strip to Frank Sinatra Drive: a city in three dimensions, and a mixed-use project with gambling.

Project CityCenter was slated to cost somewhere between $3 billion and $4 billion and, in its first year of operation, achieve an 18 percent return on investment.

After that initial press conference, MGM Resorts continued to plan the project and hire architects for its many components; this initial design phase, which took 20 months, saw the project begin to take shape. Less than a year later, the company was ready to announce the all-star lineup that would transform 66 acres of Las Vegas into a new, vertical development that many said was the future of Las Vegas.

On September 15, 2005, Lanni revealed key details of Project CityCenter. Its cost was now estimated at $5 billion, which made it the largest and most expensive private development in United States history. It was now to feature the flagship 4,000-room hotel as well as two non-gaming boutique hotels with 400 rooms and 200 condominium units each, two 500-unit condominium high-rises, and 140 residences incorporated into the retail district as brownstones and lofts attached to the shops.   

Pelli Clarke Pelli, a firm helmed by American Institute of Architects Gold Medal recipient Cesar Pelli, won the commission to design the central hotel-casino. Pelli’s portfolio included the Petronias Towers, an iconic Kuala Lumpur structure that was, from its opening in 1998 until 2004, the highest building in the world (it remains the tallest twin-towers structure in the world), and Bloomberg Tower, a 55-story office and residential tower in midtown Manhattan. Certainly, this was an architect who knew how to get the most out of a building’s footprint.

MGM Resorts tapped Rafael Vinoly Architects to design the condominium-hotel towers, an element that ultimately became Vdara but which at this point was planned as two separate towers. Vinoly had recently completed Jazz at Lincoln Center, a New York performing arts complex, and the Kimmel Center, the home of the Philadelphia Orchestra.

The boutique hotel slated to have an international operator was to be designed by Kohn Pedersen Fox and Adam Tihany, while London-based architect Sir Norman Foster, whose numerous decorations included a barony and the prestigious Pritzker prize, was to design a hotel to be managed by the Light Group, the nightlife operator that at the time ran Light and Fix at Bellagio.

The general contractor, Perini Building, had already started work on the project, with the 5,300-space employee parking garage behind Bellagio getting under way in April.

At the time, Project CityCenter appeared to be the crest of an immense wave of development that would redefine Las Vegas: by October 2005, almost 50,000 luxury condominium units in 175 towers were planned throughout the city.

In January 2006, Boyd Gaming announced its own mixed-use project, Echelon Place, which would replace the Stardust with four hotels, a convention center and retail, but no condominiums. Boyd’s announcement came a week before the closure of the Boardwalk, the 300-room casino hotel that was in the middle of Project CityCenter’s footprint. Demolition began immediately, and before long the massive, grinning clown was torn down. Analysts remained bullish about growth; the concept of a mammoth Strip development was looking better and better.
    

Luxury Move
Things were looking so good that in February 2006 Murren announced that the project would be built bigger, to aim at a higher price point. The central 4,000-room casino resort, originally planned to be in the middle range of Strip hotels, would now be positioned as “the leading hotel project” in town, according to Murren.

The total costs for upgrading the casino resort, adding more residential space and building a monorail to run through the property’s heart pushed the estimated cost from $5 billion to $7 billion, with about $2.5 billion in expected residential sales. At a February 8 meeting, MGM Resorts’ board of directors approved the final design for CityCenter: the now-luxury casino hotel, two 400-room non-gaming hotels, 2.3 million square feet of residential units, and 470,000 square feet of entertainment, dining and retail.

Construction finally started on Project CityCenter shortly after midnight on Sunday, June 25, with the delivery of 10,000 cubic yards of concrete, used to pour the foundation of the Pelli-designed casino resort.

In October, MGM Resorts opened a preview center at the neighboring Bellagio, in which potential owners could learn more about the residential options at CityCenter and sign an interest list. They could choose from units at Vdara, a 1,543-unit condominium hotel adjacent to the Bellagio; 228 residences located above the 400-room Harmon hotel; 227 residences above the 400-room Mandarin Oriental hotel; and the Veer Towers, twin 37-story leaning high-rises, which would be exclusively condominium. Unit sizes ranged from 500 square feet to the 4,100-square-foot Mandarin Oriental penthouse. At $8 million, this was the most expensive residence at CityCenter, though costs for all units were expected to average more than $1,100 per square foot.

Around this time, MGM Resorts announced that the Light Group would operate the Harmon hotel. The Light Group came to Las Vegas in 2001, when its eponymous nightclub opened at the Bellagio. Today it operates more than a dozen nightclubs, lounges and restaurants at MGM Resorts properties, and it was hoped that the nightlife pioneers could bring their commitment to hip design to a signature property.

MGM Resorts was on a roll. In 2006, the company more than doubled its fourth-quarter net income, with visitation increasing and sales at Signature, the condominium development behind MGM Grand, bringing in higher-than-expected revenues. Potential buyers couldn’t line up fast enough to sign contracts for CityCenter condos, with Mandarin nearly sold out and reservations placed on the majority of Veer and Vdara units by February, potential buyers putting down $15,000 each to reserve their units. With Mandarin Oriental sales averaging $1,584 a square foot, the company’s earlier optimism seemed justified.

Tragedy struck the project on February 6, 2007, when two 3,000-pound walls collapsed and killed construction workers Bobby Lee Tohannie and Angel J. Hernandez. Two other workers were injured in the accident and, coming on the heels of an incident at the Orleans casino that led to the deaths of two building engineers, raised concerns over safety at Las Vegas job sites.

But construction continued, and with the economic picture getting brighter by the day, one CityCenter was no longer enough; in April, the company paid $575 million for two parcels of land at the north end of the Strip, adjacent to its Circus Circus casino hotel. Totaling 34 acres, they included the site of the Strip’s first casino resort, the El Rancho Vegas. MGM Resorts floated plans to parlay the new acquisition with the land under Circus Circus’ RV park and low-rise motel, giving the company 78 acres on which to build another massive development.   

MGM Resorts’ first-quarter results made earlier projections seem, if anything, too conservative. Buoyed by rising room rates and the strong performance of its restaurants and nightclubs—elements that CityCenter was to heavily rely on—the company had recorded sales of $1.1 billion on $2.7 billion worth of condos, and net income for the quarter jumped by nearly 17 percent.

By the spring of 2007, CityCenter was simply one of several new construction projects on the Strip. Price tags ranged from $7.4 billion for CityCenter to $1.8 billion for the Palazzo, under construction next to the Venetian. Other projects included Boyd’s Echelon (5,000 rooms, $4.4 billion), the Cosmopolitan, wedged between Bellagio and CityCenter (3,000 rooms, $3 billion), the Fontainebleau (3,900 rooms, $2.9 billion), Steve Wynn’s Encore (2,000 rooms, $2.1 billion) and the Plaza, a 3,500-room, $5 billion version of the New York City landmark, which was to rise on the site of the Frontier casino.

El Ad Properties, the company that was developing the Plaza, had paid more than $33 million per acre for Strip land—a record that spoke to the unbounded confidence in the Strip’s future.

With nearly 29,000 new rooms in developments costing $26.6 billion, it wasn’t just MGM Resorts that was betting big on Las Vegas. With visitation and revenues climbing, there were few public concerns voiced about possible over-building; after all, skeptics had insisted the Strip was overbuilt in 1989, when Las Vegas had 67,000 hotel rooms. In mid-2007, Las Vegas was on its way to attracting a record number of visitors—more than 39 million. MGM Resorts’ Strip hotels boasted an occupancy rate of 98 percent that spring. It seemed foolish not to build as many rooms as possible. By the time the company disclosed its second-quarter results, half of the CityCenter condos had sold, for a total of $1.4 billion. With its buildings not even a third completed, the project already looked like a sure winner.

Around this time, CityCenter’s footprint got bigger, though without any acquisitions. A project that had been touted as 66 acres expanded to 76 acres, with MGM Resorts brass now including the 10-acre Bellagio employee garage in their count.

Gathering Storm
Yet, there were problems. In August, Harvey Englander, a construction worker, was killed in an accident while working on the central casino hotel. This was the third worker killed on the project, and while Clark County officials and MGM Resorts expressed their confidence in the site’s safety, it cast a pall. The death of a fourth worker, Harold Billngsley, in October, after another accident, highlighted concerns about the project’s scale and pace.

There were other clouds appearing on the horizon. An article in the August 18, 2007 Wall Street Journal for the first time used the phrase “credit crunch” in connection with Las Vegas, suggesting that the planned $2 billion expansion of the Tropicana had become a victim of tightening credit markets. Though CityCenter was not thought to be in any danger, this was the first real sign that perhaps not everyone was as confident in the Strip’s future as they had once been.

But MGM Resorts found a partner who was as sanguine about Las Vegas as the company itself; on August 21, it announced that Dubai World, the investment vehicle for the Persian Gulf emirate, would pay $5.1 billion for 50 percent ownership in CityCenter and a 9.5 percent stake in MGM Resorts itself. The deal was trumpeted as giving MGM Resorts cash for future developments and reducing debt, and it indicated the increasingly global profile of Las Vegas.

In one move, the company both reduced its debt and gained access to a lengthy list of wealthy international clients. For Dubai World’s part, this was simply the latest in a real estate and hospitality buying spree that saw the investment company buy such notable brands as Barney’s, a New York department store; and the QE2, perhaps the world’s best-known ocean liner.

In October, MGM Resorts announced that the total cost of CityCenter was increasing to $7.8 billion, thanks to an unexpected increase in the amount of concrete and steel needed for the project. By the end of the fourth quarter, the estimated cost had risen again, to somewhere between $8.1 and $8.4 billion. By the following summer, the reported cost would hit $9.2 billion.

Despite the rising costs, at the start of 2008, the residential portion of CityCenter still looked golden. By early January, 93 percent of the Mandarin Oriental’s 227 residences had sold; 42 percent of the 1,543 at Vdara; 60 percent at the Veer Towers; and more than a third of the Harmon’s residences were snapped up in an exclusive “friendly and family” pre-sale offering. But around this time, the bloom came off the Las Vegas Strip condo market. The Cosmopolitan, a condo/hotel project adjacent to CityCenter, received a notice of default in January, and ultimately ended up in the hands of Deutsche Bank, its primary lender.

Safety continued to be a concern. In April, electrician Mark Wescoat died after a fall, and in June, Dustin Tarter, who had been working on a moving crane, perished in an accident. Tarter’s death, the sixth in 16 months, sparked a strike, after negotiations about project safety broke down. After a single day, the strike ended, with union representatives proclaiming an understanding with general contractor Perini. Yet safety remained an issue, highlighted by the termination of several construction workers in August, after photographs of them drinking at bars across the Strip before clocking in for work were published in a local newspaper.

By the summer, it was clear that Las Vegas was no longer “recession-proof,” as some had suggested. Declining gaming revenues, slumping visitation and plummeting room rates made it clear that the city was not immune to the larger economic slowdown. In August, Boyd Gaming halted work on its Echelon development, citing difficulties in lining up financing as well as the souring economy. While this was one less competitor for CityCenter, it also signaled a declining confidence in the Strip’s growth.

At this stage, MGM Resorts brass made a conscious decision not to make any dramatic changes in the project to accommodate the shifting economic realities.

“We had to be careful not to change too much,” Jim Murren explained in a February interview. “We would have lost ourselves. We decided not to build in phases. How could you do that with a project like this? It just doesn’t work.”

Murren said that compromising on the quality of materials was never a question, but adjusted to the market by changing the nature of venues within the project and lowering the price points at restaurants and bars.

“Design and construction changes were almost non-existent,” he said. “If we could finish on time, and with quality, we knew we’d be OK.”

    
Mounting Challenges
But that wasn’t a sure thing. Suddenly, the hardest part of finishing the project became getting the money, as lenders and Wall Street analysts began expressing skepticism about the company’s potential to secure the financing needed to complete CityCenter. Yet in this regard MGM Resorts was fortunate. That August, the company secured a total of $2.3 billion for construction. Though that was $700 million short of the total needed, company president Jim Murren was confident that all financing would be in place.

Also in August, MGM Resorts announced that, though Perini would remain CityCenter’s general contractor, Tishman Construction would be taking a $250 million contract to oversee construction at the Harmon. This attracted little notice at the time, but in the following month news of considerable problems at the Harmon site became public.

In September, the public learned that, in July, engineers for Halcrow Yolles, the engineer of record for CityCenter, had discovered serious problems at the Harmon. Pacific Coast Steel, a Perini subcontractor, had incorrectly installed link beams—concrete with reinforced metal bar (rebar) placed horizontally over doors on hotel floors—on 15 of the existing 22 stories of the building. Because of conflicts between the structural drawings and the realities of actual construction, rebar was incorrectly spaced; in some cases, when steel extended out of the finished floor, workers cut the rebar.

This incorrect installation affected the building’s ability to weather sideways stresses, such as high winds and earthquakes. Compounding the initial mistakes, inspectors for Converse Consultants, the third-party inspection firm tasked with discovering precisely this kind of error, submitted a total of 62 falsified reports, which erroneously verified that construction was proceeding according to plan. Ultimately, Pacific Coast Steel was fined for its workmanship issues, and Converse Consulting was temporarily banned from taking on new projects in the area.

The biggest consequence of the errors, however, was that the Harmon was capped at 28 stories, and its condo portion would disappear.

Some counted the cancellation of the Harmon condos as a blessing in disguise, since Palms Place and the Trump International, two recent Strip corridor condo projects, were having difficulty closing buyers. With credit tightening across the country and Las Vegas property values in freefall, it became difficult to obtain financing for units in high-rise towers; as a result of the slowdown in condo sales and the generally gloomy outlook for Las Vegas, Fitch Ratings Service downgraded MGM Resorts’ outstanding debt in October to junk grade.

In the third quarter, the company’s profits fell 67 percent, underlining concerns about Las Vegas. The company announced that it was indefinitely tabling a “CityCenter East” Atlantic City development and the north Strip project, and looked to secure the final $1.2 billion in financing it would need to finish CityCenter.

In November, MGM Resorts Chairman and CEO Terry Lanni stepped down, citing the challenges the company was facing, and the need for a “younger person” to confront them. President and COO Jim Murren was promoted to fill Lanni’s roles.

By January of 2009, the company had taken several steps to improve the project’s finances. By delaying the Harmon’s completion and cutting other costs, MGM Resorts lowered the CityCenter price tag by $800 million.

In December, the company sold its Treasure Island casino to billionaire Phil Ruffin for $775 million, easing concerns about over-leveraging. Yet while the project remained on track and Vdara and Aria, the newly named casino hotel, began accepting reservations, finance problems continued to dog the project.

In March, MGM Resorts came close to shutting down CityCenter after a tentative loan agreement with Deutsche Bank fell through. A default, which might have triggered a bankruptcy reorganization for the entire company, threatened to derail CityCenter.

Even as doubts about the company’s viability intensified, senior lenders gave it some much-needed breathing room, in the form of an extension on its loan requirements. Its partner, Dubai World, filed a lawsuit claiming that MGM Resorts’ mismanagement put the project at risk. On March 27, MGM Resorts narrowly avoided a CityCenter shutdown when it made a $200 million funding payment.

A month later, MGM Resorts and Dubai World reached a rapprochement with each other and lenders. At last, CityCenter’s finances were in order. In May, additional corporate restructuring helped to improve MGM Resorts’ long-term financial future, and guaranteed that CityCenter would open as scheduled.

From there, it was a short walk to the first sneak previews, and ultimately the opening of Vdara, Mandarin Oriental and Aria in December 2009. The opening fireworks no doubt masked several sighs of relief. After four years, and plenty of drama, the future of Las Vegas was open at last.

In the end, Murren said, CityCenter was more than a collection of buildings.

“It’s a symbol of courage for people who didn’t give in,” he said. “It’s about the resiliency of this community; it’s a symbol of hope. Las Vegas will rise again, that day is approaching. CityCenter will be the beacon that brings us there.”

Calm After the Storm

Palace Casino Resort
Biloxi, Mississippi

OWNERS: Robert and Lawana Low
ARCHITECTURE/DESIGN: Cuningham Group
INVESTMENT: $45 million
OTHER AMENITIES: Palace SportsZone and a 100-foot bar

The economy may have stalled construction in parts of the gaming industry, but renovation was imperative at the Palace Casino Resort in Biloxi, Mississippi, devastated in 2005 by Hurricane Katrina.

The $45 million renovation, which will be ongoing through 2011, is the largest casino expansion on the Mississippi Gulf Coast since Katrina. The 110,000-square-foot project will include a 64,000-square-foot expansion, as well as the upgrade of existing areas.

An additional 38,000 square feet of gaming space will include more than 1,000 slot machines, 26 new table games, an eight-table poker room and a high-limit salon. There will also be a new 300-seat buffet, a new sports bar and a 50-seat, 24-hour café and grill.

The resort’s hotel will also undergo significant improvements, with a new front desk and concierge area, a new gift shop, a deluxe spa and fitness center, and all-purpose meeting spaces designed to attract more convention business to the city, situated on Biloxi’s Back Bay and the Gulf of Mexico.  

“Prior to the storm, we were a four-diamond resort,” said Palace General Manager Keith Crosby. “We’re bringing back many of the amenities we lost to again provide our guests the complete package.”  A first-class marina and award-winning restaurant, Mignon’s, are back in service, as is the Palace’s signature golf course, the Preserve, designed by championship golfer Jerry Pate.

Cuningham Group, an internationally renowned design firm with offices in Las Vegas as well as Biloxi, is in charge of architecture and interior design work for the expansion.

Biloxi Mayor A.J. Holloway said the project reflects “the confidence and vitality of the Biloxi market.”

Casino owner Robert Low said, “We are very excited to have this opportunity to further invest in the city of Biloxi and the Mississippi Gulf Coast. The key to our success over the past 12 years has never been based on the bricks and mortar, but rather the hard work of our dedicated associates and the high quality of personal service they provide to our guests.”

Power Trio

Octavius Villas, Caesars Palace
Las Vegas, Nevada

OWNER: Harrah’s Entertainment
DESIGN FIRM: Wilson Associates
GENERAL CONTRACTOR: Marnell-Keating Joint Venture
TOTAL INVESTMENT: $45 million

Caesars Palace is known for its over-the-top accommodations and customer service, and a recent addition just solidifies that reputation.

The legendary Las Vegas hotel recently debuted three new poolside villas that set a new standard in luxury for Las Vegas. Located in the new Octavius tower, these magnificent suites overlook the recently renovated Garden of Gods pool area.

The villas average 8,500 square feet of floor space and are appointed in a thematic design scheme from France, Greece and Spain.

“The Octavius Villas were constructed to accommodate the discerning guests of Caesars Palace,” said Gary Selesner, president of Caesars Palace. “The accommodations offer an immaculately designed residential experience that is enhanced by our highly-trained team of professionals.”

Michael Medeiros, lead project designer of interior architectural design firm Wilson Associates, says this project was just another in a long line of collaboration with Caesars Palace.

“We understand what the guests of Caesars Palace want when it comes to amenities,” he says. “We collaborate with hotel executives to create what we believe are the premier suites in Las Vegas.”

Each villa includes imported marble floors; a private elevator; hand-distressed wood parquet and inlaid wood floors; hand-painted wall murals and ceiling designs; wood and stone archways and casings; a billiard room; a plush home entertainment theater; whirlpool bathtubs in the master and guest baths; steam mist showers in all bathrooms; fully integrated audio visual systems with televisions in nearly every room; and custom contemporary artwork. Outside is a spacious private terrace with a spa tub, fire pit, seating and dining area with a gas lantern and wall sconces. Villa guests are also offered a private butler and concierge services.

Although every villa is unique, Medeiros says they must have universal appeal.

“Everyone has individual tastes, but we have to make sure that we are neutral and don’t put anything in there that might be culturally insensitive,” he says. “Remember, most of these people have travelled around the world and most likely have spectacular homes themselves, so we have to offer them a different and uplifting experience.”

 

Downtown Reinvention

El Cortez Cabana Suites
Las Vegas, Nevada

OWNER: El Cortez Hotel & Casino
DESIGN FIRM: YWS Architects
INTERIOR DESIGNER: Heather Hassan
GENERAL CONTRACTOR: Burke & Associates
TOTAL INVESTMENT: $6.4 million

In 2008, big changes were in the air at the El Cortez Hotel & Casino, a staple in the Downtown Las Vegas gaming market since 1941. Legendary owner Jackie Gaughan decided to sell his stake in the company, making business partner Kenny Epstein the casino’s majority shareholder. The property also began renovating the adjacent Ogden House Hotel, which was used by the El Cortez for its overflow rooms.

The renovated Ogden House reopened as the El Cortez Cabana Suites last May, and its redesign has been touted as part of the Downtown renaissance currently taking place (which includes the construction of Symphony Park and the creation of the Fremont East entertainment district).

Design firm YWS Architects restructured the hotel from 95 rooms to 64 South Beach-inspired suites, complete with mod furnishings. From the electric blue and sparkling white exteriors and sumptuous, Mad Men-style lobby to the retro-inspired suites themselves, complete with high-tech touches like 42-inch, flat-screen plasma TVs and iPod docks, the El Cortez Cabana Suites have revolutionized Downtown design.

Guests have three suite options, the deluxe room, junior suite and super suite, which range in size. The hotel’s suites are tied together by their design elements, which are straight from the 1960s Vegas stylebook: imported white marble tiling in the bathroom walls, black and white checkered marble tiling on the bathroom floors, beds with white tufted headboards, white crocodile wall coverings, crown moldings and avocado green walls give the El Cortez Cabana Suites a distinctively stylish edge.

The Cabana Suites also feature amenities like a state-of-the art fitness center, business center and access to the main casino’s dining and lounge options.

Northern Exposure

Northern Quest Resort & Casino
Spokane, Washington

OWNER: Kalispel Tribe
DESIGN ARCHITECT: Hnedak Bobo Group
INTERIOR DESIGNER: Valli Design Studio
CONTRACTOR: JE Dunn
CASINO FLOOR: 50,000 sq ft
TOTAL INVESTMENT: $200 million

When design firm Hnedak Bobo Group was tasked with the Northern Quest Resort & Casino expansion for the Kalispel Tribe, the firm set out to add features that would boost the resort’s marketing opportunities.

With that in mind, HBG expanded the casino with separate smoking and non-smoking floors, and added a cigar bar and a mixed-use television studio/sports bar for live sporting coverage.

The Q sports bar is evidence of the direction Northern Quest is headed. The bar features HD television screens for dedicated sports fans, as well as a TV broadcast booth inside the bar. Other amenities added in the expansion include the Legends of Fire cigar bar—the first of its kind in the region—as well as the Liquid lounge, the 14,000-sq.-ft. Current Spa & Salon, a fitness center, meeting space, food court, sundry market and a 250-room hotel tower.

“HBG designers worked closely with Northern Quest Casino officials and the Kalispel Tribe to realize several important project goals for the resort, based on driving tourism and business traffic from an expanded region,” says HGB project principal Rick Gardner, AIA. “Together with the tribe, we developed strategic amenities and design quality that would attract their target market, while subtly integrating the unique traditions of the Kalispels into their resort investment.”

HBG used materials native to the area, warm colors and tribal symbols to enhance the design of the resort’s expansion. The Liquid lounge evokes the tribe’s connection to the nearby Pend Oreille River with a water wall and vertical tubes that adorn the lounge like river reeds.

The Kalispel Tribe’s culture is evident in design elements throughout the resort, from the wood furniture in the hotel’s 250 rooms to the fitness center’s swimming pool with stone and river-inspired lighting to enhance the ceiling.

HBG completed the Northern Quest expansion just one year after beginning the design process. The expansion opened last fall, with a grand opening in spring.

Crowning Achievement?

In this issue of Casino Design, our eighth annual review of the best in gaming architecture, construction and design, we feature the history and development of one of the most ambitious projects ever attempted in the gaming industry—heck, in all of the United States—MGM Resorts International’s CityCenter in Las Vegas. While all our previous issues highlighted spectacular projects, none ever reached the expense or the complexity of CityCenter.

When it was announced in 2004, it was going to be next generation of Las Vegas development. The “Manhattanization” of the Strip would begin with CityCenter and continue at many other sites, replacing the existing older resorts. Most of the major gaming companies had their own “citycenters” on the drawing boards.

But we all know what happened. The economy collapsed. Visitors to Las Vegas decreased dramatically. Room rates plummeted. The ambitious copycat developments disappeared. And companies teetered on the edge of bankruptcy.

One of those companies was MGM Resorts. Right in the middle of building the largest private development in U.S. history, MGM Resorts went through a financial crisis that would test even a company that didn’t take chances. But for one involved in not only the construction of CityCenter, but also in an ongoing mission to incorporate a large acquisition (Mandalay Resort Group) and international expansion (MGM Grand Macau and other non-gaming developments), this challenge must have seemed insurmountable. But MGM Resorts’s talented chairman and CEO, Jim Murren—who also, by the way, replaced longtime chairman Terry Lanni midway through the construction process—managed to put together financial packages that satisfied lenders and actually raised more money at a time when the fiscal pipeline was essentially frozen shut.

Upon this background we layer regrettable construction accidents, design mistakes and operational problems at other resorts, and it’s almost impossible to believe that Murren and CityCenter head Bobby Baldwin could marshal the will and the resources to bring the project home on time. But they did. And it is spectacular.

But some question the overall concept of “urbanization” in Las Vegas. Some say, for all its ambition and spectacular design, you could pick up CityCenter and plop it down in Los Angeles, Seattle or any city and it would not be out of place. And some say this is what makes it out of place in Las Vegas. In Las Vegas, the spectacular is the norm.

We often talk about the “wow factor” when we discuss casino design. From the volcano at the Mirage to the canopy of Fremont Street, Las Vegas visitors have been accustomed to seeing things they will never see in their hometowns. And while CityCenter is a spectacular example of modern architecture, urban planning and innovative business concepts, does it really fit what visitors expect of Las Vegas?

Perhaps CityCenter will do what MGM always said it was going to do: Create a new sophistication in Las Vegas. Draw a new clientele that would previously not consider visiting a gambling town. Bring together the entire community in a new “downtown” where people live, work, visit and play. And launch a new paradigm in the gaming industry against which every new project would be measured.

Obviously we can’t answer those questions today, less than a year after CityCenter opened. It might take five to 10 years to really grasp where CityCenter will stand amid the great resorts of Las Vegas.

But one thing is certain. For a company known for forward thinking, innovative designs and industry-leading ideas, CityCenter was a huge leap forward. Everyone involved in its conception, design and construction, from Jim Murren and Terry Lanni down to the day laborer and the maid, should be congratulated for taking a rather bold idea and transforming it into a living, breathing adventure.

For good design is nothing if it doesn’t take risks. Good design thrives on pushing the envelope. And good design sometimes takes time to mature and be recognized for what it is. MGM Resorts is to be admired for taking the steps to advance the casino design industry to new levels.

Gaming Plus

Viage
Brussels, Belgium

OWNER: Casinos Austria International
DESIGN ARCHITECT: BOA
INTERIOR DESIGN: BOA
CONSTRUCTION: ARTER
TOTAL INVESTMENT: €40 million

“Viage” is the name of the new, permanent casino which has replaced the former, temporary Grand Casino of Brussels. Operator Casinos Austria International decided to use the changeover to create a multifaceted nightlife center in which the gaming offering, though still a main element, is accompanied by equally impressive restaurants, bars and live theater entertainment.

The casino project is its own separate element within the recently renovated Anspach Gallery. The gallery features a covered shopping lane eight meters wide with a ceiling 30 meters high, home to 19 retail shops on the first two levels of the seven-story building. Another separate element of the Anspach Gallery is the Aparthotel Adagio, with 139 apartments.

“The idea when we renovated the building was to recapture the spirit of the first galleries created throughout Europe in the 18th and 19th century,” said Muriel Lambotte, project marketing manager at Fortis, which owns the building.

Fortis may have been interested in revival, but Casinos Austria International was more concerned with creating something new, and which could serve as a template for future casino projects. Even the name “Viage” had to be created, playing off the Italian word for “voyage” but becoming something unique in its own right.

Viage “happens” over several floors of the building, plus the rooftop. The trendy Cinna-Bar is the welcome center, serving drinks, coffees and a special cocktail that changes weekly. The casino’s 35 gaming tables, 370 slot machines, live bingo room and poker room can be found on three floors totaling 3,200 square meters. The décor is glass, light and color.

Special clients are wecome in the Oak Room, with its three roulette tables and four blackjack tables, specialty champagnes and connoisseur whiskies.

Up on the roof, guests seeking a gourmet meal with a view of Brussels will find the Kameleon Sky restaurant. On weekend nights the restaurant transforms into a lounge at 11 p.m. with DJs spinning through the night.

Brown’s Sports Bar & Grill has the requisite dozen TV screens and features soccer matches from various national leagues around Europe. The bistro Saffron, located in the heart of Viage and serving until 4 a.m., provides everything from pizza and burgers to quiche and Asian wok dishes. The Viage Theater, with a wide variety of musical and other offerings planned, seats 350 or holds 700 standing.

Andrew Webb, managing director of Viage, sums it up nicely: “The colored balls in our logo stand for a sparkling experience, almost like the bubbles in a glass of champagne, with all the different colors representing all of the different experiences you can find within Viage.”

YWS Architects

Founding principals Jon Sparer and Tom Wucherer established Las Vegas-based architecture firm YWS Architects, Ltd. in 2001. YWS offers a selection of design services for hospitality, casino/gaming, entertainment and mixed-use developments.

YWS Architects has extensive experience designing casinos, hotels, nightclubs and restaurants across the United States. Notable projects include Avi Resort & Casino, Cocopah Resort & Conference Center, Diamond Jo Casinos in Worth County and Dubuque, Iowa, the Treasure Island Suites and Planet Hollywood guestrooms remodels, Blue Chip Casino in Michigan City, Indiana, Delta Downs Hotel Casino & Racetrack in Vinton, Louisiana, and the award-winning Sushi Roku and Boa Steakhouse restaurants at The Forum Shops in Las Vegas.

Current Las Vegas projects are the E Las Vegas, Sam’s Town hotel and casino expansion and the Ogden House Hotel remodel at the El Cortez.

YWS Architects also spearheads a variety of other project types, ranging from master planning to mixed-use high-rise condominium developments to special projects such as Congregation Ner Tamid, a contemporary synagogue campus in Las Vegas.

Operating from a 10,000-square-foot design studio at West Patrick Lane, the 34-member team at YWS Architects includes eight licensed architects, with an additional five who are in the process of obtaining their licenses.

Drawing on years of experience and many diverse projects of varying scope, YWS Architects has developed a sophisticated response to market demands, land utilization, operational efficiency and construction costs. Past projects prove that good design can improve the clients’ bottom line.  

In addition to paying close attention to the visual details, YWS Architects is also interested in the functional and financial performance of a building. The company attributes its success to an emphasis on client service, evident from the repeat clientele and the frequent referrals.

YWS Architects has one simple goal: to positively approach each project, giving valued clients the absolute highest level of service while providing a creatively designed, architecturally distinctive and financially successful finished product.

YWS Architects’ services include architecture, master planning, programming and scheduling.

For more information, visit www.ywsarchitects.com.

WESTAR Architects

Established in Las Vegas in 1997, WESTAR Architects is a corporation with the original mission of servicing the casino resort capital of the world. Pat Klenk and Paul Heretakis lead an office of more than 35 skilled employees in a 10,000-square-foot creative environment.  

WESTAR Architects specializes in master planning, architecture, interior design, branding and restaurant development services, all coordinated via a cohesive effort. As gaming has proliferated throughout the country, WESTAR has also expanded to the East Coast, opening an office in Philadelphia.

Over the past 20 years, Indian gaming has expanded into multiple states, especially in the western United States. WESTAR opened a branch office in Phoenix to meet the needs of its tribal clientele. The firm’s leadership has helped build WESTAR into an award winning, nationally ranked force in the hospitality industry.

WESTAR was created on a foundation of Passion, Creativity and Service.

Passion “generates expertise” in the unique amenities found in the casino resort

  • Gaming spaces
  • Rooms and suites
  • Theaters and convention centers
  • Bars and lounges
  • Restaurants and nightclubs


Creativity is “born of two”-the client and the designer-through the use of the following creative studios.

  • Client driven vision studio
  • Innovation laboratory studio
  • Operational branding and amenity studio
  • Alternate revenue generating studio


Service “drives success”-WESTAR has maintained longstanding relationships with multiple properties and repeat clients.

  • MGM Mirage Corporation
  • Las Vegas Sands
  • Harrah’s Entertainment
  • Trump Entertainment
  • Resorts International


WESTAR’s goal is to extend its version of Passion, Creativity and Service to the Macau market and other Asian ventures.


For more information, visit www.wagnarchitects.com.


VOA Associates Incorporated

VOA Associates Incorporated provides remarkable client service and award-winning design for the built environment. The firm’s commitment to excellence is based on the philosophy of listening to and understanding clients’ needs, then integrating its collective expertise and delivering effective and efficient solutions.

VOA’s credentials as a leading architectural and design firm have been affirmed by over 200 local and national awards for design excellence and an impressive list of client references.

VOA professionals are design architects, planners and interior designers serving the hospitality, themed entertainment and gaming markets. The company’s role is to create leisure entertainment and hospitality environments that connect with guest desires and provide inspired solutions, fostering recreation, relaxation and memorable experiences.

VOA is also adept at incorporating sustainable design features to add value to new and existing properties. VOA’s portfolio of hospitality projects includes more than 10,000 guest rooms and over 1 million square feet of conference space in more than 50 hotels, resorts, casinos and themed environments.

The firm is proud to be consistently ranked among the industry’s top design firms by Hotel Business, Hospitality Design, Hotel and Motel Management, Hospitality Construction and Interior Design magazines. VOA is also an active member of the International Association of Conference Centers (IACC), International Association of Amusement Parks and Attractions (IAAPA) and TEA (formerly the Themed Entertainment Association).

VOA’s most recently completed hospitality project is the $300-million Agua Caliente Casino Resort Spa, a new luxury destination resort, plus the renovation of its existing casino property in Rancho Mirage, California. Other notable projects include an extensive interior redesign of Disney’s Contemporary Hotel in Orlando, Florida, the design of a new Florida golf resort, a new $150-million hotel and villas in the Middle East, and numerous new and renovated hospitality, entertainment and themed projects throughout the world.            

Founded in 1969, VOA currently employs a staff of more than 200 people worldwide, maintaining offices in Orlando, Chicago, Washington, D.C., Columbus, Ohio, Highland, Indiana, Sao Paulo, Brazil and Dubai, United Arab Emirates.

For more information, visit www.voa.com.

Vallycrest Landscape Companies

Burton S. Sperber was an aspiring young horticulturist from California when he founded the ValleyCrest Landscape Companies in 1949. Today, Sperber is CEO, and his son, ValleyCrest President Richard A. Sperber leads the privately held company, considered among the nation’s most prominent landscape firms.

From its early roots as a neighborhood nursery, ValleyCrest has evolved into an American success story. The company’s intuition, operational efficiency and commitment to quality and service have not changed, nor has its collaborative approach. Driven by an increasing base of loyal repeat customers, ValleyCrest delivers the best, most dependable service while providing significant value for every landscape dollar.

Headquartered in Calabasas, California, ValleyCrest maintains a network of more than 100 branch offices and seven design studios in major markets nationwide. With revenues approaching $1 billion, the company currently employs more than 10,000 people across the United States.

The professional pre-construction team develops unparalleled strategies to minimize costs and construction risks while ensuring maintainability of the landscape for the long term.

ValleyCrest Landscape Development’s extensive in-house resources, equipment and building expertise are unrivaled in the construction industry. Offering quality and professionalism in all aspects of site development, landscape installation, irrigation and hardscape, ValleyCrest is a licensed, bonded general and specialty contractor offering comprehensive, integrated services through five branded divisions:

ValleyCrest DesignGroup for landscape architecture and master planning.

ValleyCrest Landscape Development
for landscape construction and site engineering

ValleyCrest Landscape Maintenance
for landscape maintenance and horticultural services

ValleyCrest Golf Course Maintenance

Valley Crest Tree Company for tree nursery and tree moving.

For nearly 60 years, ValleyCrest landscapes have improved air and water quality, conserved natural resources, reduced operating costs and contributed to the overall quality of life.

The company’s vast portfolio of projects includes prestigious casino resort and hospitality/mixed-use properties. ValleyCrest has designed, built and/or maintained these facilities.

Landscape construction projects include the Borgata, Wynn Las Vegas, Caesars Palace, Bellagio, Barona, Pechanga and Cache Creek.

In the area of design, ValleyCrest’s studio landscape architects and design principals have resumes that include luxury and eco-friendly destination projects in the Caribbean, Middle East, Europe, Asia and South America.

As part of its long-term commitment to sustainability, ValleyCrest supports all green build initiatives and has LEED-accredited professionals on staff. ValleyCrest is a member of ASLA, Urban Land Institute and the U.S. Green Building Council.


For more information, visit www.valleycrest.com.

Virtual Sciences

Founded as a full-service organization by entrepreneur Steve Baum in 2003, Virtual Sciences’ mission is to transform ideas, concepts, designs and plans into digital virtual worlds that entertain, educate and most of all, engage.

The company produces state-of-the-art renderings, animations and communication solutions for the architectural, real estate and building professions. This is accomplished throughout the life cycle of a project, from planning and approvals to design development to marketing, sales and public relations.             Headquartered in Parsippany, New Jersey, with offices in Virginia Beach, Virtual Sciences and its 20 staff professionals have experience in the communications, architectural and technology fields. The company has doubled in size each year since its inception as client relationships prospered and technology investments delivered ever more advanced solutions for their clients.

Virtual Sciences’ state of the art digital production facilities house artists of extraordinary talent including creative directors, digital artists and animators who can take any concept or design and develop a virtual experience of exceptional quality.

Virtual Sciences specializes in the hospitality and gaming industries, but also has done extensive work in commercial, mixed use, retail, educational, residential and sports and entertainment complex verticals. The firm has worked on projects around the globe with some of the world’s leading developers and architects, including Bovis Lend Lease, Gensler, Metro Homes, MDR Architects, Starwood Hotels, Trump, the Festival Companies, Avenue Capital, Multi Capital, British Petroleum and United Auto Group, RTKL, Callison, Toll Brothers, Forest City, Hicks Holdings and more.          

One of Virtual Sciences’ current gaming projects is the newly renovated Trump Taj Mahal in Atlantic City. Company efforts consist of photo-realistic renderings and richly detailed animation tracks of the new gaming facilities, upscale restaurants and new high-end luxury tower. Virtual Sciences will leverage the digital assets to develop a captivating video production and an engaging website experience to introduce and showcase the new Trump Taj Mahal to the public. The company will also support Trump’s overall sales and marketing efforts.

Virtual Sciences aims to become a leading provider of digital virtual services and solutions for a variety of vertical markets and geographies. The goal is to continually deliver advances in new technologies, providing an ever-increasing immersive experience for clients. Virtual Sciences is founded on a commitment to technical innovation, inspired creativity and the utmost in client service.

Virtual Sciences
1639 Route Ten East
Parsippany, NJ 07054
Tel.: 973-387-4000
Fax: 973-387-4008
Email: info@virtualsciences.net

Thalden-Boyd-Emery Architects

Thalden-Boyd Emery Architects are specialists. As casino/resort architects, the firm has been at the forefront of visionary designs for casinos, hotels and destination resorts since 1971. Led by partners Barry Thalden, Chief Boyd and Rich Emery, the company maintains offices in Las Vegas, St. Louis and Tulsa.

With more than 35 years of architecture and design experience, Thalden-Boyd-Emery has worked on more than 400 hotel and 100 casino projects for distinguished companies in the hospitality industry. In the last seven years, the firm has been the architects for more than $2 billion in casino projects in the United States and Canada.

Some current projects include the Casino Morongo near Palm Springs, California; Paragon Casino in Marksville, Louisiana; Chukchansi Gold Casino and Resort expansion near Fresno, California; Dakota Dunes Casino in Saskatoon, Saskatchewan, Canada; and Cherokee Casinos in Tulsa, West Siloam and Roland, Oklahoma.

Thalden-Boyd-Emery’s services include architecture, master planning, engineering and interior design. The staff is comprised of inventive designers/architects, accomplished planners and imaginative interior designers who are extremely knowledgeable in the development of hospitality properties.

The entire Thalden-Boyd-Emery approach is based on creating unique and exciting visions, and then bringing those visions to life. The firm has earned recognition as the architects who design themed casinos/resorts-from Native American themed casinos/resorts to themes developed from an owner’s imagination. Whatever concept the client chooses, Thalden-Boyd-Emery works to make the project come alive, never settling for the ordinary.

Most important is the Thalden-Boyd-Emery philosophy. To each client’s project, the company brings an abundance of experience, creativity and integrity. The entire Thalden-Boyd-Emery staff feels rewarded by the joy of a client’s success.

For more information, visit www.thalden.com.

Sosh Architect

Established in 1979, SOSH Architects is a privately owned full service international practice with offices in Atlantic City and New York.

Founding partners Thomas Sykes, Thomas O’Connor, William Salerno and Nory Hazaveh focus on superior design and innovation. The company’s comprehensive growth has been demonstrated by the successful completion of complex buildings around the globe. SOSH Architects challenges conventions, explores options and generates the kind of unexpected solutions that are the hallmark of enduring architecture.

With the combined talents of 75 architects and designers, SOSH Architects produces thoughtful building designs that are technically sound, site specific and environmentally aware. Dedicated to remaining current, these professionals routinely establish design trends.

The company values exploration and the contribution of multiple voices. The group believes that thoughtful collaboration produces the best design solutions. This diverse approach ensures the unique quality of each project.

SOSH Architects has designed high-rise towers, gaming properties, golf resorts, retail entertainment and educational facilities. The company has also developed large-scale master plans, interior design, three-dimensional design visualization and professional management services to the finest hospitality and resort properties.

Among the firm’s projects currently under construction are the Seneca Buffalo Casino and Resort in New York, the Revel Casino and Hotel in Atlantic City, master plans for several Native American clients in the South and West, plus project development in Dubai and Cairo.

SOSH Architects fully supports green building design. Working with the industry’s leading engineers, the firm balances the initial cost of construction against long-term advantages of sustainability. SOSH Architects believes that green building design effectively provides economic benefits of energy, water and materials savings, as well as reduced maintenance and operational costs.

SOSH Architects’ mission is to provide recognizable and respected design expertise to clients worldwide.

For information, visit www.sosharch.com.

Outside the Box—Literally

The casinos of today are a far cry from the heavily themed, insular structures of the past. By letting go of long-held notions of what a casino should look like, present-day gaming venues are honest, inventive environments that reflect the tastes of an ever-changing world.

But how can you achieve authenticity in an environment designed to transport people from reality? How do you create different and new experiences in these venues over time?

In recent years, the casino industry has experienced a major upswing both stateside and abroad. With new markets comes an increase in demand and competition, requiring owners to create ever more impressive environments. The formulaic, themed approach of traditional casinos has been rejected in favor of site-driven, authentic designs that pay homage to the region and its rich history. Yet today’s patron still seeks comfortable and familiar gaming venues.

Ultimately, the key to success in an ever-changing industry is to develop venues that stand apart as creative interpretations of the casino’s brand and location, rather than those that simply mimic the successes of other properties, places or times.

Originally defined as nothing more than “rooms for gambling,” casinos have traditionally been built around a long-held set of design standards. For many years, due to the absence of competitors, the small gaming community in Las Vegas dictated the look of such spaces. With no one to challenge long-held beliefs, the status quo of windowless boxes continued. While these artificial environments proved successful for many years, developers saw their profits steadily dwindle as new markets drew people to alternate venues across the globe.

In danger of becoming little more than a cliché tourist destination, developers looked for solutions to reestablish Las Vegas as the premier venue for entertainment and game playing. By fusing the unique geography, history and demographics of a property with the investor brand profile, more impressive environments are being realized.

Further, through inventive use of material, color, form, pattern and texture, a reflection of this new brand identity is evident in the interior spaces. Authentic to the site, patronage and casino brand, present-day gaming venues offer a range of diverse experiences for an increasingly sophisticated clientele.

By remaining flexible and open-minded, present-day casinos have become one-stop resort destinations complete with hotels, restaurants, high-end shopping, spas and more. For the casino owner, the plug and play of vendors lends further versatility and profitability.

Such environments challenge the expected notion of what a casino is by allowing the gaming portion to exist in concert with other income-producing venues. By some findings, the monies brought in from such “secondary spaces” can account for up to 50 percent of the casino’s total revenues.

Developers pushed the limits and thinking even farther outside the box-literally. The addition of windows to let in the outside environment was a radical move that ultimately proved genius. Plants, natural materials, elemental features and even outdoor settings for patrons soon followed. What once was a space disjointed from reality became tangible, authentic and in very high demand.

Today’s savvy casino owners stand on a platform of environmental awareness, economic security, a return to community and personal wellness. In the relatively recent Smart Growth movement, one can see the future of the gaming industry. Advocating attractive communities with a strong sense of place, community-stakeholder collaboration and mixed land uses for development projects, this new trend in urbanism fosters quality of life as well as economic prosperity.

The most recent proposals incorporate museums, nonprofits and cultural institutions into their venues; some include plans to rehabilitate former industrial areas in decline.

Such development is a win-win for all involved: the tax revenue for casino projects nationwide has doubled in the last 10 years, totaling $5.79 billion last year.

Importantly, this new model for casino design has changed the attitudes of those who visit casinos too: in a 2007 survey, 69 percent of respondents agreed that casinos bring widespread economic benefits to other industries and business within the region.

Squaring off against long-standing notions of what a casino should be isn’t always comfortable. But for those brave enough, the rewards are plenty. 

Réalisations Inc. Montreal

Réalisations Inc. Montréal has created a first for club-goers at the eyecandy sound lounge & bar at the Mandalay Bay Hotel & Casino in Las Vegas.

Using cutting edge technology, customers have the ability to control their nightlife experience from the comfort of their booth. Interactive, multi-touch tables permit guests to direct cameras around the lounge, create visuals and messaging that can be sent to other tables, and create sound mixes of their own

The sound lounge, located next to eyecandy’s dance floor, offers three sound stations that let users tap into their inner DJ by using their iPod. During promotional nights at eyecandy, guests can bring their personal music mix to play from their sound station, facilitating DJ access to guests’ music and the capability to play it through the main sound system.

eyecandy’s revolutionary dance floor has three layers of images. The glass dance floor is fed with global low-resolution LED video input that plays continuously on the 70 LED tiles of the dance floor. This LED video content is echoed by a high-resolution overhead video projection that overlays vibrant imagery on dancers. The dancers’ steps on the pressure-activated LED tiles trigger the third layer.  

Roger Parent, founder and president of Réalisations Inc. Montréal, says eyecandy sound lounge & bar marks a new step in the evolution of the club experience.

“People are used to being able to control their personal environment in their homes. eyecandy gives people the same possibility but one step further-it allows guests to create their own world in a public space,” says Parent.

This is only the beginning of interactive technology in people’s daily lives, Parent adds. “It will go further, and the line between the physical and virtual worlds will start to disappear,” he says.

Parent calls this phenomenon “moving architecture.” “We are at a point now where the limits as we know them are no longer barriers, but possibilities to rearrange our space.  In fact, the only limit we really have is our imagination.”

For more information, visit www.realisations.net.

Purchasing Management International

Purchasing Management International is a large volume hospitality procurement agent that supplies furniture fixtures and equipment to the hospitality and gaming industries. PMI is the largest purchasing agent in the gaming industry.         

Founded in1993, PMI has globally sourced, purchased and installed more than $1.5 billion in casino, resort and hotel furnishings, operating equipment, systems and construction materials worldwide. Its mission is to provide unparalleled purchasing services while expanding its global reach in order to remain the leader in procurement and sourcing.   

Headquartered in Dallas, PMI employs 60 purchasing specialists at four worldwide office locations, with satellite offices in Las Vegas, Cancun, and Delhi, India. PMI provides a global network, ensuring seamless acquisition, project coordination and job cost control.
PMI offers the following range of services:

  • Worldwide sourcing
  • Conceptual budgets
  • As-specified budgets
  • Flat fee negotiation
  • Purchasing timelines
  • Cash flow projections
  • Bid spreadsheets
  • Expediting reports
  • Job cost reports
  • On-site supervision
  • Logistics, installation and warehouse coordination
  • Video conferencing

In Las Vegas, PMI is currently working on the renovation of 2,753 rooms and corridors at Treasure Island, renovation of 2,738 guest rooms and 200 penthouse suites at the Mirage, and new construction of a luxury resort and casino at Stations Red Rock Casino.

In Atlantic City, PMI projects include the three phases of the Borgata Hotel & Casino: the new casino and more than 2000 guestrooms, a 300,000 square foot expansion of gaming areas, spa and luxury suites and an expansion of 880 new rooms and the lifestyle center.

The Revel Resort and Casino, currently under construction in Atlantic City, will include 2,000 rooms and public areas. Another Atlantic City project is HarrahÌs new construction and renovation of over 2,500 rooms and its new 800-room expansion, pool and spa area.

PMI is currently involved in purchasing management services for projects in North America, Latin America, Asia, Caribbean and the Middle East.

PMI is on the forefront of green business practices in the casino/resort and hospitality industries. President Bill Langmade is a Leadership in Energy and Environmental Design (LEED) Accredited Professional, designated by the United States Green Building Council. His accreditation assists in understanding how project FF&E complies with the LEED Green Building Rating System, the nationally accepted benchmark for design, construction and operation of high performance green buildings.

For more information, visit www.pmiconnect.com.

Perini Building Company

Perini Building Company is the largest builder of hospitality and gaming resorts in the United States. Its niche market is the construction of fast track, complex projects. Perini offers professional services in construction management, general contracting, pre-construction, post-construction and design/build.

The company is currently experiencing record growth thanks to multimillion-dollar projects underway in Connecticut, Maryland, Arizona and Nevada. Major projects in progress include the Foxwoods expansion in Connecticut, the Sheraton Phoenix Downtown Hotel in Phoenix, the Gaylord National Resort and Convention Center in Maryland, the Cosmopolitan Resort & Casino, and CityCenter-the largest privately funded construction project in the country-in Las Vegas.

Perini has built some of the most recognizable resort and gaming properties throughout the United States including Trump International Hotel & Tower Las Vegas, Luxor Las Vegas, Paris Las Vegas, Caesars Palace, Mohegan Sun expansion, Palms Casino Resort, Gaylord Palms Resort & Convention Center, Red Rock Casino, Resort and Spa and the Ritz Carlton Lake Las Vegas.

In addition to Perini’s construction expertise, the company’s successes can be attributed to Perini’s philosophy of “building relationships on trust.”  Perini derives more than 85 percent of its business from repeat clients.

Perini Building Company is a wholly owned subsidiary of Perini Corporation and is traded on the New York Stock Exchange (NYSE: PCR). Notable recognition achievements include Forbes magazine’s selection of Perini Corporation as one of the “26 Best Managed Companies in America.”

For more information, visit www.perini.com.

KHS&S Contractors

The mention of art typically brings to mind images of sophisticated galleries and museums. But with KHS&S Contractors, art is created at the most unlikely of places-construction job sites across the United States.    

As one of the nation’s largest interior/exterior specialty contractors and the country’s leading theme contractor, KHS&S turns to its in-house artists and craftsmen to fulfill developers’ visions for large-scale projects, from casinos to resorts to high-end retail and lifestyle centers.

Using paints to replicate everything from wood to marble to upholstery, and plasters to reproduce wood, bricks, rock and aged surfaces, KHS&S craftsmen have amassed a portfolio of projects that are a virtual showcase of building creativity and originality.

Through a water feature and rockwork group, KHS&S even continues the artistry outside-or brings the outdoors in-by integrating artificial and authentic rock formations with synchronized fountains, water walls or perimeter landscaping.

What’s more, since 1984, KHS&S has combined this creativity with the experience and knowledge of traditional wall and ceiling construction, offering a one-stop shop that can provide nearly every aspect of a project, from structural to ornamental.

At the Palazzo-the Las Vegas Strip’s newest casino resort-KHS&S touched nearly every aspect of the project, illustrating the firm’s combination of artistry and structural integrity. The scope of work included interior and exterior fountains, casino theming, framing, drywall, ornamental iron, architectural glass and cast products, and pool deck.

For most projects, KHS&S in-house design-assist teams collaborate with architects and designers who want to make a statement with their projects. They use challenging designs and unique features and finishes. KHS&S staff takes these architectural concepts to finished construction drawings, providing assistance in material selection, value engineering and “constructability” along the way.

KHS&S operates 11 offices in California, Florida, Nevada, Arizona, Washington State, Texas and New Jersey. Newest projects include the Palazzo and MGM CityCenter in Las Vegas, Seminole Hard Rock Casino expansions throughout Florida and Revel in Atlantic City.

For more information and to view the KHS&S portfolio of projects, visit www.khss.com

J.A. Casillas

Jorge Casillas opened J.A. Casillas in San Diego in 2006, after 15 years working in the custom furniture business. The company manufactures high-end furniture for hotels and casinos. J.A. Casillas produces case goods consisting of hard furniture like stands, and soft goods including exposed wood seating with fabric, leathers and vinyl.

“Every job is new-nothing is run-of-the-mill,” says Casillas. “We produce each custom item per specification.” Only the finest materials are used in the manufacturing process including travertine marble, custom finishes and exotic veneers like zebrawood, teak and rosewood.

Among the newest trends in furnishings are clean, straight lines and metal accented by stainless steel at the base of chairs or sofas. J.A. Casillas strives for exceptional service regardless of a project’s size or complexity

The company operates from three sites. The San Diego headquarters has four employees. The manufacturing plant in Tijuana employs 45. A sales office in Atlantic City has a staff of two.

Manufacturing top quality furniture may take from one week to six months.

In addition to delivering on time and on budget, J.A. Casillas extends the product’s lifespan and ease of maintenance by providing each order with additional hardware (pulls, knobs, hinges and screws).

Casillas understands the importance of manufacturing durable furniture for his customers. Casino accoutrements must be “contract quality,” he says, as customers often take out their disappointment at losing on the furnishings.

Business, he happily reports, is good. J.A. Casillas sells throughout the United States and the Bahamas. The firm also sells to Dubai in the United Arab Emirates. Samples are displayed at the CityCenter complex in Las Vegas, co-owned by Dubai World in the Persian Gulf.

The newest names to join the company’s impressive portfolio of customers are the Wynn hotel casinos in Las Vegas and Macau, MGM Grand at Foxwoods, Harrah’s, Hyatt Manchester Grand, Bellagio, plus other properties owned by Caesars Entertainment, Trump, MGM Mirage, Hilton and Tropicana.

For more information, visit www.jacasillas.com.